You can get nonchalant after seeing the local names often enough, but take a break and settle in and you can be floored. I was floored the other night for the latest band incarnation at Geoff Page's monthly concert. Just friends John Mackey, Miro Bukovsky, Lachlan Coventry and Chris Thwaite, and just eight tunes taken from the standards repertoire, but a stunning outing with depth and purpose and Immense capability. It should be no surprise but you can take the locals for granted. It would have been just 7 tunes but Giant steps was called as an encore. And there was that intense contact, too, with the dedication of the concert to once student, friend and musical prodigy, Niels Rosendahl, recently, sadly deceased. Thus the Giant steps request. Otherwise, this was a hugely satisfying outing, supple and malleable with instructive improvisations. I followed John with awe at the alacrity, yes, but mostly his structured investigations, his awareness of pitch and its relevance, meaning somewhat harmony but also the interaction with melody. Then Miro, spelling out the chords and keys with a different approach, like Miles to John's Coltrane, a more high altitude view of pitch colours and harmonic movements, perhaps moving phrases chromatically over the changes. Then Lachlan, this time in bass form on his Fender VI, sometime finger picked, mostly picked, soft and thumpy, playing with dampened notes, fabulously astute rhythmic plays, on latins or others and extravagant guitar-like lines in some solos, and a readiness to lay out or leave space or change grooves to move through and alter the essence of a tune. And Chris there just with Lachlan on that, chops and change but following the choruses where sometimes I wondered how and where. So this was a fabulous outing by some immensely capable locals. Just locals? Yes, our locals, although locals pop up all over as I've found often enough in the jazz world.
John Mackey (tenor) led a quartet at Smiths with Miroslav Bukovsky (trumpet, flugelhorn), Lachlan Coventry (bass) and Chris Thwaite (drums). The session was dedicated to Niels Rosendahl (sax).
PS. As for vegan tatooing, I never knew there was such a thing.
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