But the night was more than tuba. The band started with John Scofield’s tight and simple tune, Cool. Then on to a range of originals by various band members. They varied in time and rhythm. There was 6/4; there was an occasional walk, but the bass lines were mostly syncopated and funked up. There was sharp and open and expressive drumming from Sam; good solid, ever-reliable bass lines from Gareth; dirty and distorted, middy electric guitar solos and some lovely airy soundscapes from Aron using wah and echo. Valdis pulled tuneful and fairly bluesy baritone sounds from the trombone, performing with real physical involvement. The tenor of the night changed somewhat when Miro joined in. The melodies obviously displayed richer harmonies, with that lovely sweet tonality of a brass front line. Miro’s solos were fast and challenging, and the band sounded just a bit harder and tighter and more intense. The tunes they played with Miro also seemed longer and more composed/arranged. For me, these were the highlight the of night. These were more worldly and meditative; I thought here of storytelling and even magic realism.
A nice night of restrained volume and comforable, worldly music. It will be interesting to compare the performance in few weeks when they appear as the Gareth Hill Quartet at the Gods.
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