Radiant performance

We expected a rush but NCO finished early enough and we relaxed.  Nice, because the next outing was something particularly special.  Guitarist Harley Coleman was staying with us while rehearsing and touring with Luminescence Chamber Singers.  Now, these are a seriously professional group; what they do is worthy of your time.  They had played Andrew Ford Red Dirt Hymns at CIMF and they were touring it through NSW.  We got to see it at The B in Qbn. Luminescence were 6 singers (3 female voices, 3 male) with instrumental accompaniment from Harley on guitar and Freya Schack-Arnott on cello.  Later, a combined children's choir joined for some hymns.  Andrew Ford had written the music, bass line, chords and melody, from the little I've seen.  Roland Peelman worked with the performers to develop presentation and wonderfully rich harmonies while leaving space for improv from the musos.  Roland also conducted the children's choirs on the day.  Andrew Ford was there highlighting the exceptional work on the hymns done by Luminescence.  Suffice to say it was work of the highest artistic achievement to my ears.  I was stunned by the skills and musicality and glorious arrangements; by Harley's understanded chordal interpretation and one pretty rock-dirty solo and Freya's bass lines and atonal plays on sound; by the solo presentations of some songs, then then ensemble performances of others; by the playful drumming on garden pottery, by the reverent singing of the children's choir.  The work comprises 16 shortish songs with lyrics volunteered by invited poets, so a range of themes, but presumably all around issues of Australian relevance.  I caught some lyrics, not all; the richness of performance mostly took my attention on the day.  So I still have a worthy task to read these poems and hopefully a future opportunity to hear a recording or view a video.  Just a stunning performance and a fascinating project.

Luminescence Chamber Singers performed Andrew Ford Red Dirt Hymns at TheB in Queanbeyan.  Luminescence are AJ America, Rachel Mink and Josephine Brereton (sopranos), Dan Walker (tenor), Lucien Fischer (baritone) and Alasdair Stretch (bass-baritone).  Roland Peelman (MD, arranger) arranged and conducted the children's choir from Luminescence Children’s Choir and Music for Canberra.  Accompanists were Harley Coleman (guitar) and Freya Schack-Arnott (cello) and Sammy Hawker (visual artist) provided the backdrop.

Clarity

Five concerts in the Christmas series and we got to two.  This was a much smaller concert than the first but what was lost in complexity was gained from the familiarity of the performers and the clarity of the performance.  This was just the core 6 singers who make up Luminescence and who presumably, frequently, sing and practice together.  We could hear that heightened awareness between performers.   We could hear each individual voice, given just 6 singers together in great clarity and the space did its bit too, with its gentle presence.  So the sometimes raucous songs of Spain's golden era and Alfonso's cantigas was a dream.  Despite foot stomps and tambourine percussion.  This is music from later C13th and late C16th, sometimes simple melodies, sometimes embellished or harmonised by the group, sometimes boisterous and festive, sometimes sole voices with perhaps a single tonic note accompaniment.  What I loved was the clarity of a small, comfortable, practised group and the clarity and uniqueness of each voice.  Interestingly, choir was ordered with sopranos at each end, low bass and baritone in the centre and mezzo soprano and tenor between.  One performer spoke of two trios, whether the male lower and female higher, or the right baritone-tenor-soprano or left bass-mezzo-soprano, I'm not sure.  Whatever, this was a memorable display and one fully worthy of Tim's complex recording (hint: love to hear it...).  Just a stunner.

Luminescence Chamber Singers were led by Roland Peelman (conductor, percussion).  LCS comprises AJ America (mezzo soprano), Lucien Fischer (baritone), Veronica Milroy and Rachel Mink (sopranos), Alasdair Stretch (bass) and Dan Walker (tenor).