Showing posts with label Tomomi Kondo Brennan. Show all posts
Showing posts with label Tomomi Kondo Brennan. Show all posts

24 January 2018

NYC moments


Concert 2 in Castlemaine was a stunner of modern music with loads of international connections in an old-styled town hall, all rows of seats and high stage and musical distance. Nonetheless, it was another stunner. We’d heard Anthony Halliday and Tomomi Kondo Brennan playing duo with AH on organ a Snake Gully. This was a trio event, with Tomomi’s husband, trumpeter Joel Brennan, extensive travel, musical doctorate from Yale and now Senior lecturer in Brass at Melbourne Con. With this trio we could expect fireworks. We got them. A duo (tpt, pno) from Joseph Turin who wrote the music for Nightmare on Elm St and has been commissioned by the NY Phil: Two portraits for flugelhorn and piano (utilising both flugel and trumpet). Then AH playing Beethoven Andante favore with plenty of rubato and flexibility of tempo. AH amazes me with his playing from memory: he played from memory the other day and apparently has performed Well tempered clavier from memory. He obviously read for the more obscure pieces. The final work was a pairing of two contemporary numbers: Julliard lecturer Eric Ewazen’s Trio for trumpet, violin and piano (apparently he writes for unusual combinations) with a response called Summer breeze from Harry Sdraulig, a recent student at Melbourne Con who was in the audience. HS’s was shorter and more attractively melodic. EE’s was more complex in harmony, interplay, structure and the rest, but this was a much larger work in several movements. So, this was a return to the modern and particularly to contemporary US, with that Australian response and a blast from a storied past. A stunning concert with some fabulously inventive compositions and excellent performances. Loved this one!

Anthony Halliday (piano) Tomomi Kondo Brennan (violin) and Joel Brennan (trumpet, flugelhorn) performed contemporary music and Beethoven at the Town Hall in Castlemaine. Harry Sdraulig (composer) was present for the premiere of one of his works.

13 January 2018

Snakes


This place was called Snake Valley and the concert was in a lovely old Uniting Church (built Presbyterian, 1861) in a field behind trees on the country road. The feature was a Fincham and Hobday organ. You get to know these names at this event. They were makers in Melbourne and this one dates from 1894. Some problems that appeared during the first up Bach were presumably remedied for the rest of the concert, but this is the nature of such a beast. I expect funds are tight for maintenance. The players were Anthony Halliday and Tomomi Kondo Brennan. AH plays organs around the world, not least in London and Leipzig, and has appeared here before. TKM has a history on violin from Japan through Canada and is now an associate principal with Orchestra Victoria. OV is the Melbourne-based orchestra supporting the Australian Ballet and Opera. So no slouches. The music was a mix of solo organ and duets from Bach, Handel, Beethoven, Haydn, Elgar, Mozart and Widor and Vitali. There were some tech hitches with the Bach but we could still enjoy the variations in tone and power that pipe organ can display, and some very capable playing of multiple parts. The duets featured the violin, with the organ surprisingly reticent when accompanying but also when taking a phrase. Perhaps the tech issue or perhaps AH’s artistic judgement. I much enjoyed TKM’s bowing as a class in itself, being close up, especially some very effective and even slurs and bouncing passages. Lovely ll round.

Anthony Halliday (organ) and Tomomi Kondo Brennan (violin) performed at the Uniting Church Snake Valley for the Organs of the Ballarat Goldfields Festival.