Love and war

This is a theme that's around with the new film of The Odyssey but it's nothing new.  Two of our major classical music groups combined to do a program on this very topic, Guerrieri et Amorosi, Warriors and lovers, highlighting madrigals by Barbara Strozzi and Claudio Monteverdi, two major composers in mid/late-1600s Venice, Monteverdi older than Strozzi but both prolific and renowned, if Barbara is lesser so these days.  And a few instrumental pieces by Apeiron in respite by GB Vitali and Scarlatti.  Madrigals were written for solo voices, one for each part, and MD Dan Walker highlighted the challenge of this fluid music for a choir and Oriana did a wonderful presentation to my ears, capably accompanied by our renowned locals Apeiron Baroque as a quintet.  The themes suggest a more martial awareness by CM with an amorous sinfonia exploding into martial music, love portrayed as a literal disaster although later Cupid being praised rather than Mars.  Maybe because this Eighth Book of Madrigals is dedicated to the newly crowned Holy Roman Emperor.  Other the other hand, I note a sweetly sung song about an Athenian Maiden raped by the King of Thrace (lyrics by BS's father), a song on affections of the mind (Yearning, desire...) and an argument over sources of joy which resolved to a single kiss.  But this is just a sampler and my notes are just a borrowing from the program anyway.  But the song, the accompaniment, the vocals solos were a thing of great pleasure.  Again a warmly received concert and a full hose at Wesley for an imposing musical pairing.

Oriana Chorale was accompanied by Apeiron Baroque at Wesley with a program of madrigals by Claudio Monteverdi and Barbara Strozzi.  Oriana Chorale was conducted by Dan Walker (MD) with sometimes soloists Ali Hardy and Jade McFaul (sopranos), Oliver Bruhl, Cody Christopher and David Faraker (tenors) and Patrick Baker, Neil Bulleid and Joshua Dunne (basses).  Apeiron Baroque comprised John Ma and Brad Tham (violins), Marie Searles (harpsichord), Anton Baba (cello) and James Holland (theorbo).

Long time coming

Funny to drive for 2 days to attend and record a concert but that's what I just did.  I'd been in Adelaide visiting family and other than the rain, the 2-day trip was pretty comfy.  The concert was Kompactus Youth Choir celebrating their 15th anniversary at Wesley.  The first  numbers were by the current youth choir under MD and conductor Olivia Swift and the last 5 tunes included older alumni and variously  David Yardley, once Kompactus MD, and Olivia conducting.  Olivia also provided two songs, David one, and Kompactus  alumnus Patrick Baker another.  It was hard not to notice how varied were the songs presented, as well as how challenging and well performed.  This was seriously satisfying a cappella singing.  Olivia was beautifully in control of a choir that responded with delicacy and care and joy at times.  Especially for a few amusing pieces, like time with its tongue clicks for clock beats and I'm a train with all manner of trainy noises and of course a more complex take of the well known What shall we do with the drunken sailor.  There was a song on Turing which referenced his sexuality and well as thinking machines, and a song that was all the world like an instrumental, with foot taps and thumb clicks (Olivia called it body percussion) laying down a groove and singing providing a synth-like overlay.  And the two tunes by Olivia, something touching and complex called Soldier's grave, and another on creativity from hard work called Sleepless.  Interestingly, the lyrics for many tunes were poems; I guess that's the/a way in many choral works.  David Yardley led an early Kompactus tune called Butterfly, on the short life of the animal, and one of his original musical overlays for mediaeval lyrics missing music, A doomsday we schull ysee.  Then something that seems local, Rachel by Idea of North singer Trish Delaney-Brown, which seemed to be a call to Rachel, slow and pensive, then another amusing number called How to reach the Sun which detailed paper folding kites ultimately to the distance of the Sun (?!?), I think, and a final contemporary madrigal, Orange from Mounts of more soft ascent.  The tunes and lyrics were from all manner of countries and local and from some Kompacti.  The singing was dreamily good or amusingly playful.  I went away realising how much I love the human voice, at least when well done like this.  OK not perfect, but so bloody good.  So glad too that I could record this and worthy of the 12-hour drive to the gig.

Kompactus Youth Choir and Kompactus alumni celebrated the Kompactus 15th anniversary with a concert at Wesley.  Olivia Swift (musical director) and David Yardley (past musical director) conducted and Patrick Baker (alumnus), Olivia Swift, David Yardley and many others provided the compositions.