Radiant performance

We expected a rush but NCO finished early enough and we relaxed.  Nice, because the next outing was something particularly special.  Guitarist Harley Coleman was staying with us while rehearsing and touring with Luminescence Chamber Singers.  Now, these are a seriously professional group; what they do is worthy of your time.  They had played Andrew Ford Red Dirt Hymns at CIMF and they were touring it through NSW.  We got to see it at The B in Qbn. Luminescence were 6 singers (3 female voices, 3 male) with instrumental accompaniment from Harley on guitar and Freya Schack-Arnott on cello.  Later, a combined children's choir joined for some hymns.  Andrew Ford had written the music, bass line, chords and melody, from the little I've seen.  Roland Peelman worked with the performers to develop presentation and wonderfully rich harmonies while leaving space for improv from the musos.  Roland also conducted the children's choirs on the day.  Andrew Ford was there highlighting the exceptional work on the hymns done by Luminescence.  Suffice to say it was work of the highest artistic achievement to my ears.  I was stunned by the skills and musicality and glorious arrangements; by Harley's understanded chordal interpretation and one pretty rock-dirty solo and Freya's bass lines and atonal plays on sound; by the solo presentations of some songs, then then ensemble performances of others; by the playful drumming on garden pottery, by the reverent singing of the children's choir.  The work comprises 16 shortish songs with lyrics volunteered by invited poets, so a range of themes, but presumably all around issues of Australian relevance.  I caught some lyrics, not all; the richness of performance mostly took my attention on the day.  So I still have a worthy task to read these poems and hopefully a future opportunity to hear a recording or view a video.  Just a stunning performance and a fascinating project.

Luminescence Chamber Singers performed Andrew Ford Red Dirt Hymns at TheB in Queanbeyan.  Luminescence are AJ America, Rachel Mink and Josephine Brereton (sopranos), Dan Walker (tenor), Lucien Fischer (baritone) and Alasdair Stretch (bass-baritone).  Roland Peelman (MD, arranger) arranged and conducted the children's choir from Luminescence Children’s Choir and Music for Canberra.  Accompanists were Harley Coleman (guitar) and Freya Schack-Arnott (cello) and Sammy Hawker (visual artist) provided the backdrop.

Interlude no.2 Choral

This is a busy time for recording but it's great pleasure: a string of CIMF concerts and jazz and choral.  The choral was the locals, Canberra Choral Society, presenting Handel Dixit Dominus and Arvo Part Berliner Messe at St Paul's.  A wonderful location and one that suits my gear ... mostly.  Arvo Part was pretty minimalist as, is his want, although with some considerable complexity, as I heard from the mouths of singers and instrumentalists.  Parts that interacted unpredictably, both in voices and in strings.  This was a mass, so the structure, at least, is known.  Often quite odd to hear, too.  Handel seems much more friendly, recognisable, although even here I heard singers speaking of unexpected interplays, perhaps given this is such an early work, written at age 22.  If we could all do such magic at that age!  But this was a competent choir, if lacking in tenors, and similarly capable instrumentalists, led by John Ma, and five very capable singers, so a lovely, all-enveloping, enriching paean to faith with not a few exquisite fugues.  A choir singing Handel and the like is one of my favourite musical experiences and CCS did it great justice.  As for "the venue suits my gear", the audio was great but that light in mid-late afternoon just streams in on performers and cameras alike.  Great for a religious experience but problematic for a video.  But a great joy, nonetheless.

Canberra Choral Society performed Handel and Arvo Part at St Pauls Manuka under Dan Walker (director) and John Ma (orchestra leader) with soloists Josephine Brereton (soprano), Rachel Mink (soprano), AJ America (mezzo soprano), Tom Hallworth (tenor) and Alastair Stretch (bass-baritone).