I got to the latest Smiths jam and it was a string of varied players of various levels but as always a love of the art. Many were local I'd seen at this session, but there were also new people with various instruments, not least singers. This incarnation was led with inspiring bass playing and inviting stage management by Ben O'Loghlin. Several names I've mentioned before at these jams, not least Mic, Oliver, Mark, Simon H, Jeremy. I was interested in Simon Milman on guitar and how he didn't just run chords but moved over harmonic structures. Oliver was something like that too, and Mic lithe and flowing over the tune while Simon Halabi was more evident, rhythmic and historically engaged. As for Ben, you could see his mind working to recover and interpret each tune, unfazed and great memory. All interesting. But I'll highlight Flynn Marcus. I've seen him at events and heard him sometime back, but this was the most recent outing that I've taken in and I was floored. Lovely, lovely tone, expressive plays on melody and the song with occasional explosive runs, perhaps scalar, perhaps dissonant, perhaps pentatonics, and a presence that supported players and easily took on a leadership role. I guess he has easy access to training and his gear is good and obviously well setup, but a very fine player already. As for me, I couldn't handle the heavy house bass, but had a go on fretless e-bass later and struck some very tricky post-bop I'd heard but never played, so an exercise not done too well but enjoyed none-the-less. Thanks to all.
05 August 2026
Jampacked
24 November 2025
Busy-ness
It was a busy musical weekend, what with 2 jazz gigs and a Beethoven 7 rehearsal and later a concert and a committee meeting. No pics for the two gigs, but a big thanks to Hugh who sat in on drums for one and who was playing the second when I was sitting in. My sit-in was with Simon Halabi at Blue Eyes, that intimate cocktail bar. Simon sings, too, so not just the standards as instrumentals but also a few borderline jazz songs, like Peggy Lee's take on Fever. Nice and well received. Not an easy lug and only more demanding given ongoing works in Garema Place (more ongoing works...) and rain and a very confusing parking station. But two gigs much enjoyed. But no pics on either night...
Tilt Alt played Dickson Taphouse on Friday night with James Woodman (piano), Eric Pozza (bass) and Hugh Magri-Bull (drums). Simon Halabi (piano, vocals) played Blue Eyes on Saturday night with Eric Pozza (bass) and Hugh Magri-Bull (drums).






