My other band is Crisp. Crisp is a five-piece jazz cum kitsch/pop/disco band which plays weddings, corporate events and the like. It’s been around a good while, but I’ve recently joined. It’s a bunch of capable musicians with considerable experience fronted by a singer with a nice turn of spirit, so the music is tight and the outings are enjoyable. And this is just accentuated by the pop/disco tunes that go down so well on the dancefloor. Crisp played last week at the National Museum. Nothing special about that, but it was memorable for some other reasons.
Firstly, because an engaging, amusing, but deadly serious character was speaking: Patch Adams. Patch Adams is an “American medical doctor, social activist, citizen diplomat, professional clown, performer, and author ... he believes the health of an individual cannot be separated from the health of the family, community, and the world” (Wikipedia, 23 May 2008). He’s also a celebrity to a broader community since Robin Williams, the US comedian, starred in a film about him. At first sight, he was a mature, moustachioed and pony-tailed bloke in colourful clothing. I noted a quick wit and non-conformist streak when he was introduced. He quipped that he’d been at Parliament during the day and that the government had given an apology but he’d given the country back. As is my celebrity-ignoring and film-avoiding way, I vaguely knew the name but nothing more. The band only caught the last few minutes of his talk, but it was serious and heartfelt and impressive. Visiting someone else’s world (a family at a wedding, a doctor’s community, or whatever) is an aspect of performing bands that I love. My favourite story of this type involved playing for Rupert Murdoch at his Cavan property near Canberra many years back, but I’ve told that story before on CJ.
Secondly, our normal pianist was travelling, so I got to play with John Black, now a high school music teacher, and for many years a piano teacher at the Jazz School. Of course, he knew the charts including the pop tunes, he could read with aplomb, and his solos were both expressive and tastefully understated. There’s great pleasure in playing with musos who’ve had this level of experience. My first Crisp gig had Mark Sutton sitting in for a wedding and this was similarly satisfying.
More on Crisp when we do a public gig, but here’s the membership: Nicky King (vocals), James Hoogstad (tenor), Peter Kirkup (piano), Mick Schow (drums), Eric Pozza (bass). John Black (piano) sat in for this performance.
Patch Adams on Wikipedia
My pop/disco band mostly plays private gigs so it’s missed a write-up, but today three of us played for a Coles promotional gig at Jamison Centre. It’s was busy and noisy, but we played standards, passed around tons of solos, the kids enjoyed the clowns and we had a good time. James plays a very cool, sweet and laid-back tenor (think Stan Getz) with solos to make the fairer sex melt. Peter is a wonderfully capable and experienced keyboardist. I love the way the various sounds pop up in the disco setting: organ or piano or synth or clav or whatever. In this context, he played piano, and he’s always solid and reliable and often adventurous. I got plenty of solos too, and we had some good, solid latins and walks happening, and that’s always satisfying. So, lots of fun, a slightly unusual (and busy and noisy) venue and with the earliest start I remember.
