Showing posts with label Paul Kleber. Show all posts
Showing posts with label Paul Kleber. Show all posts

15 October 2016

Rings true, what they say

It’ a common refrain that the standard of musicians in Berlin is very high. I went to one of many jam sessions in Berlin, this one at the ZigZag club, and I can only confirm it. The host band was as good as I can even imagine! A trumpet tone to die for, soft and fat like a flugelhorn but not, playing some long devastating runs and lovely melodic snippets and space around them all. Astounding harmonic flexibility that saw the piano all over and outside the structure. I could follow most (with great pleasure) even if I felt one got beyond me (and perhaps the rest of the band). But this was hugely driving and infectious and an improvisational tour de force in the modern jazz vein. Bass was immensely strong, along with drums. No let off in intensity or commitment, but there were changes of feel and groove all over. Bass could lay out syncopated lines with firmness and power but also with dense improv, both embellishing the obligatos and laying out wonderfully expressive solos. This was a jam so I got up. The bass was strung with gut (and Spirocore E string) and I can confirm it was a handful, so there was plenty of strength in Paul’s hands as well as in his ideas. A later addition to the host band was guitar, and he, too, was strong as. Happy to sit out but wonderfully effective when he played, soloing idiosyncratically in short bursts or comping some interesting chords. Then the jammers. Mostly not in the ballpark of the hosts, but none-the-less worthwhile and skilled. I liked that no charts were allowed. Pianist and host band and jam leader, Uri, was colourfully damning of their use and it worked. We negotiated known tunes and sometimes just faked it and so learnt from the experience and grew confidence in our ears. A true jazz lesson learnt there. Then, the jokes and good-natured chatter and drinks after. This was a memorable night and perhaps the best exposure to jazz in Berlin that I could imagine. And there are numerous other jam sessions around this town, most nights, amongst a plethora of jazz venues, then there’s the experimental scene too. And, of course, the classical scene, Berlin Philharmonic and the rest.

ZigZag jazz club staged its weekly Tuesday night jam sessions. The host band was led by Uri Gincel (piano) with Sebastian Studnitzky (trumpet), Paul Kleber (bass) and Tobi Backhaus (drums). Igor Osypov (guitar) sat in with this band later.

  • Jazz guide Berlin
  • Jazzy Berlin - jam sessions
  • Experimental music & free jazz in Berlin
  • 30 October 2014

    Better the studio


    The Benny Lackner trio was on tour through Asia and Australia and NZ with funding from the Goethe Society. I heard them in the quiet atmosphere of the ArtSound studio as they recorded a broadcast for transmission on a coming friday night. All very rushed. Arrive Airport 3.30pm; taxi to ArtSound; coffee and recording; lift to hotel for dinner and a shower; evening gig at Hippo; fly out next morning. This is the life of a jazz player on tour. Despite the frantic pace, the music was laid back grooves, spacious, floating, Euro-styled. Pensive heads with lyrical, leisurely solos from Benny on piano (impressed by the Yamaha C6 in the studio) that might rush into sixteenth notes then drop back to 8th notes; plentiful lively solos from Paul on bass; drums soloing as occasional fillers or lengthier against an obbligato line. This is a contemporary, rock-aware music with jazz sensibility. His albums include takes on pop (Prince Sign of the times; 99 red balloons) and the ArtSound set included Hendrix If 6 was 9. His albums also touch on the standards although still with a contemporary view. Bemsha swing is identifiable but rhythmically further contorted on bass with an long insistent solo line over. I haven't heard Brad Plus but an intriguing title (Bad Plus meets Brad Mehldau, I guess) Palau was a ballad, an open and airy music box, reminiscent of Ravel. Heartracer was rock groove and moving chords with a hesitating piano over. There's a European awareness here, gentle and pensive, but with a contemporary sensibility. Not for nothing that Benny is from Berlin and has studied with Charlie Haden and Brad Mehldau is his mentor. Not really something for Hippo, but for the studio or a quiet venue, light and airy and searching. You can hear them sometime soon with Chris Deacon on ArtSound's Friday Night Live.

    Benny Lackner (piano) led his trio with Paul Kleber (bass) and Matthieu Chazarenc (drums) in a recording for ArtSound.

    This is CJBlog post no. 1300