Showing posts with label Jack Smythe. Show all posts
Showing posts with label Jack Smythe. Show all posts

15 January 2023

A busy room

The Evans Room took me back to energetic, adventurous piano trio of well back.  They played Bud Powell and that was one indication, but also Ida Lupino and Mike Manieri and Blues in the closet was their feature tune to end with a few more meditative originals in between.  This was not one for too much rumination, although the playing was great and deserved the musician's ear for the chromatics and more, but the energy just drove it.  Nicely stuctured lines, frequently moving chromatically in single note runs or often in chords, plenty of chordal solos, or doubling the excitement level of single note lines to 16th notes, long runs of each, drums highlighting features while the band plays stops and starts.  Lovely stuff'; tons of energy and busy intent.  A few drum solos, spelling patterns and time and melody and frequent bass solos, on most tunes, more reticent at first, but extended into the thumb positions and then quicker with sequenced phrasings, neat, expressive, nicely done.  It's no surprise that Jack has been accepted to pursue Honours bass, was it at Melbourne's VCA or Con.  This is very much the driving piano trio style with chops and plenty of swing.  A good fun outing.

Evans Room comprised Adam Davidson (piano), Jack Smythe (bass) and Hugh Magri-Bull (drums) and played at Smiths Alternative.

18 January 2019

Yoof today


They come out of the woodwork. Talented new bands with talented new players. These were particularly young. I asked drummer and leader Gus and he said they mostly had just finished Year 12. Where do they get such seriousness at a tender age, so they are writing decently inventive tunes and sympathetically combining covers of Beatles (that beauteous song, Taste of honey) with Miles (Ghetto walk from the Silent Way sessions, no less) and Brad Mehldau. And the originals were from three of four players. Adam amused us talking of greenhouses that need watering (who'd'a thunk it!), and there were several from Matt and an interestingly one from Gus. Drummers write less often but then often write quite successfully. I particularly liked Gus' playing, sturdy and correct and tight but the whole band melded well, in funk or jazz idioms. They could be incredibly quiet then run long crescendos to quite loud (but not very loud). It was a little joke that Gus had announced them as "excellent for dancing". Noone got up but band and audience had a good laugh about it. So, an impressive introductory concert that bodes well for the future. I look forward to watching these guys over coming years.

Gus Henderson (drums) led a quartet with Matt Trigge (trumpet, flugelhorn), Adam Davidson (piano) and Jack Smythe (bass) at Smiths Alternative.