Showing posts with label Grey Wing. Show all posts
Showing posts with label Grey Wing. Show all posts

08 March 2014

The presence of the past


It's nothing like the great museums overseas, of course, and smaller than the Nicholson Museum in the Quad at University of Sydney, but the ANU's Classical Museum in the foyer of the AD Hope building is a little gem. We visited after attending a lecture on the first and second sacks of Troy at the strangely named Haydon Allen Tank. And even more strangely, after attending the AGM of the Friends of the Classical Museum. That was a merciful 7 minutes or so, with the most interesting thing being their two recent purchases. All this has a ring of strangeness about it, but the classics are intriguing and they are in our Western cultural DNA, even if they are rather distant these days. But some Friends maintain the age. The lecture was by Chris Mackie, professor of Greek studies at La Trobe University, and he was a lively and entertaining speaker. He recounted the story of the first sack of Troy and the roles of the hero Heracles and proceeded to make comparisons with the second sack. The first is alluded to in the Iliad and the second is the subject of the Iliad. He compared heroes, enemies, weapons, the source of glory. Heracles (first sack) used bow & arrow to fight monsters and left Troy intact despite broken promises of King Laomedon. By the time of the later sack, the spear is noble and the bow ignoble, the enemies are cities and glory is in destruction and genocide. About more recent times, Prof Mackie made a parallel with WW1/WW2, where battlefield confrontations became total war with civilian targets. Thus both the Iliad and our times speak of increasing bleakness and hardening of politics. Then off to the Classic Museum for an after-event social gathering. Just a quick visit for us as I was off for the second set of Grey Wing Trio at Smiths, but a delight. I wouldn't want to live there, but the remains of the ancient world are rare and vivid and strange: some Greek vases and statues and Roman oil lamps and fresco fragments, the central model of ancient Rome (which displays a remarkable degree of survival in modern Rome). Then off to Grey Wing. I wrote them up a few weeks ago, so little here. Suffice to say I heard one set comprising just two compositions by Luke. This was stellar playing all round, although this time I was particularly taken by Finn's open, detailed, delicate drumming. Not enough time at the Museum or Grey Wing, but them's the options.

Prof Chris Mackie spoke on Troy for the Friends of the ANU Classics Museum. Grey Wing Trio comprise Luke Sweeting (piano), Ken Allars (trumpet) and Finn Ryan (drums) ad they played at Smiths Alternative.

  • ANU Classics Museum
  • 20 December 2013

    Break aways


    Grey Wing Trio sounds mysterious to me, meaning it gives me no hint about what to expect. Luke’s invitation to the gig mentioned a blend of “simple fold-like melodies, jazz elements with epic textural adventures”. Perhaps Grey Wing suggest folk-like melodies, or even winging it or epic flights. It was all these.
    Luke showed James and me the charts after the gig and they were mostly single notes, lines for trumpet and both piano staves. And extensive. The first set was one medley-cum-tune. Melody breaking off to free or solos or other times. One hour; one piece. It’s daring music with lots of space to fill or flounder in, but these are very polished musicians. It also leaves openings for being lost, or at least not returning easily, but messaging and glances worked well in this outfit. This was comfortable, the changes fell together, the melody appeared almost mysteriously accurate and together. That really impressed me. I liked the melody, but I loved the escapes into free. Luke’s so comfortable at free across all seven octaves, moving chords, changing harmonies or single note flourishes. Ken’s trumpet is controlled, his volume restrained, his tone scratchy, but like wet sandpaper rather than abrasive. I part5icularly enjoyed his scalar lines that would switch chords on a whim. Lovely and unusual: this was controlled performance with unregulated harmony. And Finn has a similar iconoclasm, bringing all manner of tones and rhythms form his kit and percussion, explosive then floating, just once or twice dropping into a rock rhythm. They played two sets, each with no break. The first was 60mins, the second 40 mins. And this was intriguing and impulsive and, yes, epic. Great stuff. Grey Wing Trio comprise Luke Sweeting (piano), Ken Allars (trumpet) and Finn Ryan (drums) and they played at Smiths.