Showing posts with label Daniel Pilner. Show all posts
Showing posts with label Daniel Pilner. Show all posts

21 June 2023

The song continues

It's seldom that a jazz festival will feature two singers in a row, at least a modern festival.  But thus it was, and both revisits, and both to die for.  I'd heard Lisa Oduor-Noah at the closing concert of the CIMF and was mightily impressed.  This went further, perhaps given the more intimate surroundings and perhaps a more atuned audience.  For this is modern soul with intimacy and connection and joy and purpose.  And a voice to die for.  All sharply stated but fluid and joyous and rich in embellishments and delirious lifts to the heavens.  She could sing high!  And we got to join in, in our wary, insular, Australian way.  It must help singers like Lisa to have an audience on side and showing it.  We were onside but reticent.  I wonder of singing in her native Kenya or dens in the USA.  This Uniting church was not that, but it was loving and she was deeply appreciated.  Her accompaniment this gig was Daniel Pilner, otherwise keys with Mr Ott.  It was mostly restrained Rhodes accompaniment but nicely articulated and correct.  He deserved the Swahili anthem that we all sang to him at Lisa's prompting.  This was modern, personal stories of love and optimism and the like, merged with visits to Lisa's history and some social commentary.  "Down by the riverside / I've found things take time".  Lauren Hill got some quotes, for musical and sociopolitical reasons, and that's understandable.  And I liked the opportunity to join in, if confusing pitches.  I might say I would love to sing...  But it was that personality and that glorious soulful voice that did it.  Varied and accurate with ecstatic embellishments.  Think studio accuracy.  I could just imagine how this inventiveness could be layered and groups and harmonised for a rich studio result.  So cool, so quiet and so, so deeply, deeply grooving.

Lisa Oduor-Noah (vocals) was accompanied by Daniel Pilner (keys) at the Uniting Church.

16 June 2023

Happy

Happy is my favourite tune by Public Image Ltd.  Mr Ott didn't play Happy or anything like it, but they did produce it.  The Lord Anson was jumping within minutes and in ecstasy by the end of the set.  This was tight, infectious, classy, on top and joyous, with memories of Ethiopia and Sun Ra (to my ears and those of muso Darren beside me).  The whole place was dancing or tapping or, if not, looking out of place after a few tunes.  The tunes were tight, the movement were welcoming (Matt's steps and Ellen's claps), the band was hugely impressively ready to sit, and the solos by all were delightful and punchy and welcoming and playful and always apt and that bass could repeat and that's a skill in itself.  Jazz is all chops and serious study and we can too easily be serious and miss the joy.  Mr Ott does not do this and it's an infectious pleasure.  Loved it deeply.

Mr Ott entertained the Lord Anson as the last band on Saturday night.  They were Matthew Ottignon (tenor, baritone saxes), Ellen Kirkwood (trumpet), Dave Panichi (guitar), Daniel Pilner (keys), Jan Bangma (bass) and Hamish Stuart (drums).