Them changes

The program had to change close to the event for unpredictable reasons but these are professionals and the replacement was great. From Transfiguration to Quintessence. The replacement may not have been quite so adventurous (Schoenberg + Richard Strauss > Mozart + Mozart), but it was lovely music and it was beautifully played. The group was Canberra Strings led by BJ Gilby with members of the Canberra Symphony Orchestra in the High Court foyer and the music was Mozart. So worthy and immensely attractive. First up was the String quintet Gmin, then a swap of players for the Clarinet quintet Amaj. Barbara introduced it with short hints on the various movements: Allegro; Minuet/trio with 3 dissonant chords to listen for; slow with muted strings (other than cello); the final in Gmaj and "quite jolly". The Clarinet quintet was written by Mozart for a friend and was perhaps the first work for this combination. Movements: fast; slow; minuet and two trios (MTMT); slow to upbeat. That one was particularly recognisable in through various movements. I imagine it's an absolute standard of the clarinet repertoire. I missed taking notice of the dissonant chords, but for my jazz ears they may seem fairly tame. I did notice the firm and satisfying cello tone and especially its prominence when the other strings were muted. I loved the clarinet in its attractive lines. To my ears, it was particularly suited to this space, perhaps because it was quite loud and the echo/reverb was significant and enhancing. But a lovely and formidably performed concert in the resonant space of the High Court. Much enjoyed.

Canberra Strings performed in the High Court Foyer. CS comprised BJ Gilby (violin, leader), Pip Thompson (violin), Jack Chenoweth and Lucy Carrigy-Ryan (viola), Samuel Payne (cello) and Eloise Fisher (clarinet).

This is CJBlog post no. 2,100

4>8

The Mendelssohn is a classic of the form and the Spohr is a prelude to it. These are two pieces for 8 string players. Spohr's was written at age 40 when he was well respected; Mendelssohn's when he was just 16. Spohr's is a double quartet, inventive but essentially two string quartets playing together. Mendelssohn's is more a work for 8 players playing together, soaring, lyrical, intricate, as the program says, with exuberant joy. Famous enough that you're expected to remember the first time you heard it. I remember, at least, hearing this group do it some time back at Tuggeranong Arts Centre. The group is a relatively new one, eight strings, professional players from the Canberra Symphony Orchestra, led by BJ Gilby, with various faces mostly from front desks. Impressive. And well presented. Quiet and effective entries and bows. Barbara likes that: you have to be the musician people expect, confident in performance. Her style shows in a presence that's engaging. This was another in the High Court foyer, so a large audience, well versed, frequent attendees, listening with that reverberence of concrete and marble. And the black against the bright, sun-lit, tree-blown windows. Professional, serious but relieved, well punctuated music; phrases and scales dropped from strings like honey; busy and intricate in the passing of passages through the members. I found it fascinating to follow some of these passages, starting with one cello then to the other, through violas to violins and a final exhuberant embellishments on the first violin. Wonderful music in a wonderful space with wonderful local musos. Much enjoyed

Canberra Strings comprised Barbara Jane Gilby, Doreen Cumming, Pip Thompson and Isobel Ferrier (violins), Jack Chenoweth and Lucy Carrigy-Ryan (viola) and Matisha Panagoda and Julia Janiszewski (cello).

Chalk & cheese

BJ Gilby had a busy week: CSO on Wednesday and Thursday; practising with NCO on Friday then performing on Sat; finally performing again on Sunday. Maybe others had it so busy and maybe that's the life of a professional muso, but I understood the busyness of that program. Music like this takes preparation, it's not just a matter of turning up to the job on the day. Only Barbara knows the other work put in behind the scenes, to learn parts and to rehearse various groups. I just know because I attended four of these events: CSO Thurs; NCO practice Friday; NCO performance Saturday; Romance & Revolution Sunday. R&R was one of a series of concerts in the theatre at the Tuggeranong Arts Centre. This concert was two groups playing two works: Shostakovich Piano trio E minor Op.67 then Mendelssohn String octet Eb major Op.20. Chalk and cheese, really. The first was heavy, post-war, influenced by loss and tragedy; the second was lively, the work of a 16-year old (!), joyous, busy, alive with hopes for the future. It's not surprising that the first was played by young performers: Aaron Chew, Helena Popovic and Olivia Thorne; youth often takes on the big thorny issues. The second was performed by the seasoned professionals. It's sometimes thought that older generations have seen and digested loss and survive notwithstanding. Whatever, the older group played the lighter music, busy and complex as it was. I much enjoyed the 1944 Shostakovich for its Jewish folk themes and frenzied dances. This was a modern piece that came alive to me with this rendition, just three parts, clear and well spoken. The Mendelssohn presented as two string quartets arrayed side to side but this was far more complex than shared parts from mirrored quartets. There were lines that passed throughout, harmonies shared and played with, at one stage an endless line played in harmony throughout. This was youthful, joyous, energetic and the octet played it with charm and understanding. So this was two halves of an unmatched orange, but fascinating for that very thing. Great playing throughout, intimate and close (we were in the front row), diverse and inventive. Great little concert.

Romance & Revoluation was staged at the Tuggeranong Arts Centre. Aaron Chew (piano), Helena Popovic (violin) and Olivia Thorne (cello) performed Shostakovich. Barbara Jane GIlby (violin, leader), Pip Thompson, Jack Chenoweth and Isobel Ferrier (violins), Caroline Suthers and Lucy Carrigy-Ryan (violas) and Patrick Suthers and Matisha Panagoda (cellos) performed Mendelssohn.