Showing posts with label Burt Bacharach. Show all posts
Showing posts with label Burt Bacharach. Show all posts

28 May 2023

Melody

We bassists have too little awareness of melody.  Even our awareness of chords is limited other than as movements and intervals, say, compared to a pianist who plays the colours.   It's understandable.  Our role is rhythm and we can play whole gigs with just a chord chart and it's common with many (primarily) single note instruments.  Nonetheless, melody and those chordal colours are central to well written music and Burt Bacharach is a key example in C20th popular music and I was astounded yet again at Smiths this night.  Greg Stott was leading a group playing the music of BB.  I was late, given some confusion over the starting time, but what I heard had me almost in tears.  Admittedly, it's music of my lifetime and that's of relevance, but the complexity and sheer inevitability of the tunes, their plays with time and abbreviated bars, their glorious unexpected colours and beautiful while self-evident melodies overwhelmed me.  The band was good too!  Great even.  Chris with a Beatle bass with pick and occasional finger style, thumping apt rhythms and grooves and plenty of expressive solos.  Nick a wonder on steady and determined beats that exploded with sharp fills.  Greg just shredding with his quick and neat guitar, and some delightful jazz solo takes on a few tunes.  El had a new 5-string e-violin that had me thinking viola until I heard of the low C string.  Her solos were expressive and right, but she stunned me with neat and glove-fitting fills, expertly played over Burt's captivating chords and melodies that just asked for such treatment in good hands.  And Liam who put the words, sometimes queried in our different world, of love and loss.  Anyone who had a heart had to be touched by his fluid jazz interpretations.  But the love, or the look of it, was filling the hearts at Smiths.  Not that it was a young crowd: this was of an era.  I mostly missed the first set, coming in on an instrumental Look of love (as I remember) then a break.  Then That's what friends are for, Wives and lovers, Alfie, Walk on by, Close to you, What the world needs now is love.  Just one of those would crown the work of virtually any songwriter.  Truly a master amongst  Lennon/McCartney, Dylan, Carole King, Joni Mitchell and the like.  But this was just some tunes.  I remember seeing Greg at the BB gig at the Royal Theatre here in Canberra in Oct 2015.  Just look at his playlist for that concert and fell the awe.  Given Burt's and the Greg's band, this was the concert I was most awaiting this year and I was not disappointed.

Greg Stott (guitar), Chris Pound (bass), Nick McBride (drums), Llewellyn Osborne (violin) and Liam Budge (vocals) performed music of Burt Bacharach at Smiths.

  • BB setlist Oct 2015
  • 02 November 2015

    Royalty of the popular song


    Many thanks to BMA for the (re-)discovery that Burt Bacharach is a genius, at least of popular music. It's nothing new or nothing hidden, of course, but to experience of revelation was a huge pleasure. BB came to play on Friday, with his band, at Royal Theatre. I won a competition for tix from BMA so we went and it's not something I planned or expected. There were numerous baby boomers, apt given the price and the period of BB's fame. Looking at his hits, I realise they are placed mainly through the '60s. There were also some respected local musos; we oddly found ourselves sitting behind one. First up, a megahit, What the world needs now. Then Burt introduced a medley ... all megahits. Then a few more songs; all memorable and remembered. Later, a medley of film hits ... you guessed it: works of genius: Look of love, Arthur's theme(When you get lost between the moon and NYC, the best thing you can do is fall in love). Alfie came later as a solo. Wives and lovers was his. So were The Man who shot Liberty Valance, 24 hours from Tulsa, Raindrops keep falling on my head, Do you know the way to San Jose. They all sang his songs: Aretha Franklin, Dionne Warwick, Isaac Hayes, Sergio Mendes, Herb Alpert, Tom Jones, Dusty Springfield, Cilla Black, Gene Pitney, Cher, Shirley Bassey ... everyone. I say a little prayer for you, Close to you, Reach out, Don't go breaking my heart, I don't know what to do with myself, This guy's in love with you, What's new Pussycat. What is this? I know virtually every song and every song was a megahit. And he's just playing snippets of each to fit more into a two-hour set. Nice arrangements; nice, understated but wonderfully correct band; great harmonies from the three singers and some solo voices that nicely match the originals. Great songs. I notice various intriguing twists of harmony or time; the most perfect of intervallic melodies (how good a melody is Alfie!); many clever lyrics mostly by Hal David (. Mark Sutton said afterwards that the drummer (I didn't catch the names) was a top studio player. The band was touring the world with BB. It's the same band you see playing the same songs at Glastonbury 2015 on YouTube. Check it out. Very, very neat. Notably, playing to a new generation before Kanye West appears. New generation? Definitely. Burt Bacharach is touring at age 87 (b.1928). Still going strong. His voice not what it was but the aura and portfolio is as impressive as ever. Obviously I enjoyed it - actually I sat back in awe. Thanks to BMA for this realisation. A popular song composition genius came to Canberra.

    Burt Bacharach and his band played at the Royal Theatre. And the band? Three vocals (2xfemale; 1xmale), drums, bass, keys/vocals, trumpet, alto/tenor saxes, violin, another keys, sometimes Oliver Bacharach (son) on piano, BB piano/vocals. I didn't catch the names.