Showing posts with label Christian Renggli. Show all posts
Showing posts with label Christian Renggli. Show all posts

12 December 2017

Still kids


Amongst all the differences are the similarities. This one was the kids. National Capital Orchestra played a final concert for the year at Albert Hall on a Saturday afternoon and it was for families. One third of the audience was kids, mostly little ones. Many up front, a few feet from delicate instruments (so think the musos in the front rows) but there were no accidents. There were little bouncing dancing girls, intrigued little ones, very little ones who weren't old enough to get it, hoards lying or sitting on the floor up front. The theme was Peter and the Wolf, Prokofiev's dark story and introduction to the orchestra, narrated by Charles Hudson with suitable deep voice, playful interchange and menacing storyline. He did a great job, as did Leonard throughout, flashing silhouettes of wolf and cat and bird and the rest, chatting with audience with friendly glee, selecting for a kids' conducting competition (a girl won it and got to lead NCO in a encore of a rousing section of Rossini) and otherwise just conducting in his supportive and thoroughly capable way. The other music was Rossini Barber of Seville overture and two that were certainly adult works, Mozart Flute and harp concerto mvt.2 with John Smiles and Elizabeth Alford and Honegger Cello concerto with Christian Renggli. The Honegger is a strange mix of Gershwin jazz themes and modernism. This was Chris' final play with the orchestra before returning to Europe. He's been here for a PhD at ANU including 3.5 years with NCO; he'll be missed. The whole concert went went with amusement and elan where fitting and tons of great playing. This is a seriously capable non-prof orchestra. And then afternoon tea for all after. A great afternoon.

National Capital Orchestra performed at Albert Hall under Leonard Weiss (conductor) with Charles Hudson (narrator) and soloists John Smiles (flute), Elizabeth Alford (harp) and Christian Renggli (cello).

06 November 2017

Mannheim comes to Goulburn


Someone asked me recently if any of my bands toured. Only Musica da Camera, which pairs Canberra concerts on a Saturday with Sunday concerts in a local town. This weekend we played the music of Mannheim, ie, early classical, under Christian Renggli and with viola soloist Justin Julian in Cook then in Goulburn's Catholic Cathedral with its presence and acoustics and it was especially satisfying. It was a magical performance (excuse me if I say it myself). The dynamics just melded together, the pace was relaxed so those difficult passages didn't race away as they can do, the intonation was shared and sweet, the various parts became more evident and the whole just sat. A great pleasure and obviously what this art aims for, but which can be elusive. From the program, "the Mannheim School refers to both the orchestra techniques pioneered by the court orchestra of Mannheim in the latter half of the 18th century and the group of composers of the early classical period who composed for the orchestra". Thus we learnt of the Mannheim crescendo, the Mannheim rocket and roller and sigh and the Grand Pause. And for the second performance, especially, they took on real life. Christian had gathered the program: two sinfonias (Gmaj and Ebmaj) from father of the Mannheim School, Johann Stamitz, a viola concerto (Dmaj) and an orchestral quartet by his (real) son Carl Stamitz, and a sinfonia (Gmaj) by FX Richter and sinfonia (overtura, no.1) by Franz Ignaz Beck. Justin Julian of the AYO and Sydney Con and more played a compelling performance on the concerto as well as sitting in for the viola section in the second half. It just all settled to a level of expected comfort so the pps were seriously quiet so the audience sat forward and those long crescendos didn't run out of puff. We felt chuffed and I wasn't uncomfortable that we got a standing ovation. This time, I felt the playing deserved it. So, something to watch and listen on my recordings over Christmas, but plenty more performances to come, in various orchestras and with Tilt. This is fun.

Musica da Camera played J Stamitz, C Stamitz, Beck and Richter at Cook and reprised at Goulburn's St Peter & Paul Catholic Cathedral. Christian Renggli (conductor), Justin Julian (viola soloist) and Rosemary Macphail (concertmaster) featured.