Showing posts with label Lauren Thurlow. Show all posts
Showing posts with label Lauren Thurlow. Show all posts

29 June 2026

Mo' blues

Well I don't have pics of all the bands at the Canberra Blues Society jam session, a few because I had to leave early and another because I was playing in it.  It's fun to get out an e-Bass (my preference is a run-of-the-mill Fender MiM JB) but I never play it other than for the Blues jams, so it's a bit of a new experience, but it is light to play.  And fast... I can get carried away!  Otherwise, Key Grip was the host band for the session and they were great to hear, well informed on blues and related styles and capable players all round.  The jammers were consistently capable too which bodes well for the blues in town and perhaps is a function of the blues training offered, esp to next gen.  Still, the audience numbers were down, perhaps given Hendrix the previous night.  But a nice outing and friendly people and great stage gear to indulge in.  Much enjoyed.

Key Grip are Leo Joseph (piano), Angela Lount (vocals), Lauren Thurlow (tenor), Alec Coulson (bass) and Mitch Preston (drums).  Key Grip were the host band for the monthly Canberra Blues Society jam session at the Harmonie German Club.

20 January 2025

Knowing NOLA

Not only are Key Grip great communicators with their audience but they also play so well.  This is around the blues scene but not all 12-bars.  Plenty of nicely complex chordal movements, piano but also organ, that mainstay of a New Orleans-adjacent style, paens of love and loss and such blues themes from all manner of renowned artists (Dr John, Jon Cleary, Bonnie Raitt) and some hugely satisfying and involving and just plain correct bass-drum grooves.  These are all known names on our local scene and obviously have a retinue of followers but also good friends.  I'd seen them years back but not recently, and this return was a huge pleasure.   There's joy here in playing together and obvious skills and experience.  Angela and Leo have been doing it as duos and more for ages, with Mitch all along.  Alec has played the cruise ships and you can feel that readiness and ability to perform (and such a great tone), and Lauren adds that touch of jazz chops but with a dirty blues edge.  Just a fabulous combination.  This gig was called at the last minute when there was an empty spot at Smiths and the players happened to be free.  It was partly to celebrate Mitch's birthday of a day before, so we heard plenty from Mitch as MC and he called the tunes and was a source of much jovial presence.  So much fun and so nicely done. Loved this one!

Key Grip played at Smiths.  They comprise Leo Joseph (piano, organ, vocals), Angela Lount (vocals), Lauren Thurlow (tenor), Alec Coulson (bass), Mitch Preston (drums).

30 November 2018

Doing the job, very satisfying

Professionalism is something I particularly notice and value. It's a response from musos who try hard at this stuff and realise how difficult it can be. Whatever, I see it in Steve Richard's bands and I enjoy it immensely. Steve was back with his quartet at Smiths with Steve's arrangements and just two practices under their belts and a sharp, neat presentation of some entertaining and varied materials. That's what professionalism is. His offsiders were Sally and Barney and Lauren. Lauren on tenor was new to me: jokingly, Steve called her his secret. Apparently, she's recently back from hotter climes. I particularly liked her on some cool Miles but she was consistently accurate and satisfying, spelling out charted melodies neatly and laying out some intriguing solos. I think of Sally primarily as a composer but she's a jazz pianist of note enriched by her composition training which is evident in her playing. It's a different conception: big and wide. She told me she thinks of parts, of a big band or orchestra. I could hear that complexity and fullness, in melodic and improvisational concept, but also in richness of expression. Truly a fascinating and rich picture. Barney on bass was just his professional best at reading and interpreting, but he let go in ways I haven't heard from him before, with chromatics and hammerons at speed that were thrilling but also harmonically intricate. And Steve. I've played with him and can only admire that calm visage that hides training and skills that express themselves in sharp and intelligently varied exploration of time, splitting beats into parts, then parts further, the neatest rudiments with tone and that joyful cowbell that he enjoyed so much on this gig. Apparently it's a new acquisition. We got a few laughs there; very much with not at him. And a great collection of tunes, from Bird through pop arranged in jazz ways, like Bad Plus-ish Everybody wants to rule the world and Sting and Mark Knoffler, through locals including tunes by Sally and Miro and a few drummers, Manu Katche and Bernard Purdy, into touches of contemporary and free from Stefon Harris. A fascinating collection but also entertaining and contemporary. Did I say I liked this outing? I did, very much.

Steve Richards (drums) led a quartet at Smiths with Lauren Thurlow (tenor), Sally Greenaway (piano) and Barnaby Briggs (bass).