Showing posts with label Charlie Barnes. Show all posts
Showing posts with label Charlie Barnes. Show all posts

04 May 2017

Mixed competitors


This was obviously a challenge for the five players who competed to be the concerto soloist for the Canberra Youth Orchestra for its concert in August. They each played the first movement of their chosen concerto. Anthony Smith accompanied on piano. And, interestingly, each played a different instrument. Not sure if they were more than five entrants, but there were five judged at this concert. The judges were amongst the senior performers in town: Leonard Weiss (not quite so senior), Tor Fromyhr, Paul McMahon and new ANUSOM director, Ken Lampl. They were all faces I recognised, being from the CYO, or perhaps NCO or other. The players were: Juniper Bedwell playing Weber Clarinet concerto no.1; Charlie Barnes playing Hummel Trumpet concerto; Hayley Manning playing Koussevitzky Double bass concerto; Shirahni Mudaliar playing Mozart Violin concerto no.3; Chayla Ueckert-Smith playing Vaughan Williams Concerto for oboe and strings. Chayla played from memory; Charlie mostly so. They were vastly different in tonality and technique and style. We listened, families recorded, we compared, for comparison this is. The judges considered but we are yet to hear their decision. A 2 week delay was mentioned. Ken Lampl finished with congratulations and a talk highlighting the value of the commitment required. We left wondering. Who will play in August? My guesses have been shown to err in the past, so no hints from me...

Juniper Bedwell (clarinet), Charlie Barnes (trumpet), Hayley Manning (double bass), Shirahni Mudaliar (violin) and Chayla Ueckert-Smith (oboe) competed in the CYO concerto competition at Wesley. The judges were Leonard Weiss, Tor Fromyhr, Paul McMahon and Ken Lampl. The accompanist was Anthony Smith (piano).

18 April 2016

Knowing the Bible better


I knew of Elijah but not his story. Douglas McNicol was Elijah in the Mendelssohn Oratorio with the Llewellyn Choir and Sinfonia under Rowan Harvey-Martin. The other soloists were Rebecca Collins and Christina Wilson and Michael Martin and Charlie Barnes. So, mainly a local affair with numerous recognised faces, but with import DMcN who went through Elder Con with a friend so I knew of Elijah. I didn't know Elijah's story and didn't know Mendelssohn's setting except a few choral pieces that I've sung: He that shall endure to the end and O come everyone that thirsteth. Both are memorable themes that had me lift my ears. We enjoy much music through recognition. If I didn't know it, certainly DMcN did: he carried music under his arm but I didn't notice him reading it and he was the busiest amongst all the singers. Elijah was baritone, supported by tenor, soprano, mezzo-soprano, and, for just a few lines, boy treble. This was a noble and impressive effort and not one for wusses. The program was three hours including the interval. I pondered the style at one stage. It's obviously not baroque, but the bass style is ordered and scalar like baroque and the singing style also neat and even. The big choral sections were a pleasure as these always are, with ~100 singers giving voice. I enjoyed watching RH-M, too, involved and guiding. A big performance of a Biblical story with much satisfaction that deserved a better-informed listener.

Mendelssohn Elijah was performed by the Llewellyn Choir and Sinfonia under Rowan Harvey-Martin (conductor) with Pip Thompson (concertmaster), Anthony Smith (repetiteur) and soloists Douglas McNicol (baritone), Rebecca Collins (soprano), Christina Wilson (mezzo-soprano), Michael Martin (tenor) and Charlie Barnes (treble).