Showing posts with label Saralouise Owens. Show all posts
Showing posts with label Saralouise Owens. Show all posts

02 May 2024

Lush gardens

These were the gardens of Spain, as interpreted by Saralouise Owens and Natalia Tkachenko at Wesley.  The program had that title and interestingly, flowers and pines and various growing greenery appeared frequently in the lyrics, but this was more of love, mostly lost or rejected, amongst florid words and literary circumventions and Spanish rhythm and dance.  Saralouise played the parts wonderfully, more operatic in presence than classical mezzo.  I loved that presence and not unexpected from her.  Natalia is back for a visit after leaving Canberra a few years back for greater Washington DC but  she is expected back.  What a wonderful pianist, the most glorious care and affection in her hands and awareness in her accompaniment.  The music was several series of songs by de Fall, Lorca, Toldra and a few others by Valverde and Trad.  Trad was a humourous song once sung by Anna Bishop.  Saralouise is writing a theatre work on AB, once a well travelled singer, a scandalous woman who eloped with her lover, travelled far and wide through goldfields, including several visits to Australia, singing for several royalties, making and losing fortunes.  Looking forward to Opera's Bad Girl when it's released but in the meantime, the earthy, emotive and clever Spanish songs did a treat.

Saralouise Owens (mezzo-soprano) and Natalia Tkachenko (piano) performed Spanish songs at Wesley. 

16 March 2023

A walk in the park

Well, actually it was a stroll in the garden in bygone times of Schubert and Schumann and the like.  Saralouise Owens sang songs of lost and found loves and the like with piano accompaniment from Stuart Long and it was quite beautiful if much of another era, a very erstwhile era.  Maybe it's the advent of the pill in the '60s or a few world wars, but things are different now.  The romance seems florid and unreal to our ears even if the Schubert Serenade seemed to suggest suggestiveness and that's common enough.  I didn't follow the German lyrics, but I did the translations, and it was interesting.  Mostly this was German, from Schubert and Schumann and Mahler and Hugo Wolf and one French from Henri Duparc, but Benjamin Britten was in English, as was a significant early female composer out of Melbourne, Linda Phillips, with lyrics lauding Ash trees and the cedars of Lebanon.  It's a complex music, these short classical songs, rich in imagery and structurally and harmonically following the lyrics, unlike simple pop tunes where lyrics follow melody.  So a lovely sound and a historical visitation as well.  Lovely.

 Saralouise Owens (soprano) sang with accompaniment from Stuart Long (piano) at Wesley.