Showing posts with label Raphael Hudson. Show all posts
Showing posts with label Raphael Hudson. Show all posts

13 November 2019

Weddings, parties...


A chamber group from the Maruki Orchestra played for the funeral service of Anne Bicknell at Albert Hall. It's not a normal gig but Anne was a foundational member of Maruki and had rehearsed the day before she suddenly and unexpectedly collapsed. Anne was always a helpful, supportive smiling face, welcoming and musical and no doubt a much-loved and worthy doctor as well (she was a GP in Ainslie and Director at BreastScan ACT). Her musical interests ranged widely, from AYO to the Australian and International Doctors' Orchestra. The musical tributes included her nephews Charles and Raphael Hudson singing Handel with Anthony Smith and our Maruki chamber-sized group playing Beethoven Violin concerto Dmaj op.61 mvt.2 Larghetto with John Gould as soloist. Anne will be missed.

Maruki Orchestra, John Gould, Charles Hudson, Raphael Hudson and Anthony Smith performed at the funeral celebration of Anne Margaret Bicknell.

19 September 2017

An Australian to the world


Canberra has shown me a very international Australia. I didn't have that feeling in Adelaide. It's derivative from the home of Federal government and associated institutions, the diplomatic core and the universities especially ANU, but also the people in our streets. I first noticed it with Frank Gambale, guitarist from the Pro Audio family who played around town in the '80s and has since recorded a string of albums with Chick Corea. And the daughter of a work colleague who was a famed model in Paris and NYC. So, it's no particular surprise that Igitur nos played the music of Penelope Thwaites, of Melbourne but with relatives here, one of whom led and sang at this concert: Veronica Thwaites-Brown. This is modern music but with firm historical awareness - I even heard some jazz harmonies - with themes of Shakespeare and psalms and a missa brevis and a wedding gloria. The performance was beautifully done. Sweet harmonies from a capable choir, clear singing from soprano, mezzo and two tenors, empathetic accompaniment from piano and organ and even drums, and one feature from a children's choir. There's concern for humanity here, chosen to fit events or to express the words of various writers including her late father Michael Thwaites, once of Canberra. It's interesting to compare Michael reading his poem (find it on SoundCloud with music played by Penelope) and Penelope's musical take on this and further, the local interpretation. I enjoyed this concert immensely, but also admired it, for its worthiness and seriousness and all round excellent musicianship, in composition and performance. I find announcements for Penelope's music being performed in London, but nice to see we beat London to the premiere of one of the works, Five Shakespeare songs. Not that it's so important, but it's amusing. Penelope is clearly one very impressive Australian in the world and this was a very impressive array of locals performing her music.

The music of Penelope Thwaites was performed at St Paul's Manuka by Igitur Nos (choir) under Matthew Stuckings (conductor, director) with soloists Veronica Thwaites-Brown (mezzo-soprano), Greta Claringbould (soprano), Ken Goodge and Raphael Hudson (tenors) and the Hawker Harmonists (children's choir). Accompaniment was by Emily Leong (piano) and Colleen Rae-Gerrard (piano, organ) and James Sneddon (drums).

11 September 2012

Latins sing German

I couldn’t get to Igitur Nos performing Brahms’ German Requiem but I got to the rehearsal the day before. There were times of considerable beauty (and some obviously challenging high notes) and it had me wishing to be there on the day. Matthew was working the choir and visiting singers, so this was interrupted, on-off, “Take it from Bar nn” stuff. So it was interesting but choppy and without the tension and commitment and continuity of performance. The visiting voices were Sydney baritone Raphael Hudson and Hobart soprano Pamela Andrews. The accompaniment was four handed on a Yamaha C7 (I understand it’s All Saint’s new indulgence) by brothers Alistair and Colin Noble. Igitur nos will soon start practicing for Mozart’s Requiem in early November. Here are just a few pics of the rehearsal.

Matthew Stuckings (conductor) led the Igitur nos chamber choir with accompaniment by Alistair Noble (piano) and Colin Noble (piano) and with singers Raphael Hudson (baritone) and Pamela Andrews (soprano). Igitur nos comprises Alison Knight, Andrew Freeman, Bruce Watson, Caroline Kayser, Catherine Hayman, Clara Teniswood, David Harcourt, Gemma Dashwood, Gerard Clifton, James Graham, Jonathon Lee, Karen McKenzie, Karina Harvey, Louise Skelt, Markus Klaiber, Mary Harwood, Meredith Boroky, Meredith Norman, Olivia Denney, Steve Harris, Stewart Skelt and Todd Heather.