It's a strange experience. This was my first concert since the Covid close-down six months ago. The group was much the same - twenty or so string players in Musica da Camera with guess guitar soloist and director. The location was the same, but instead of 100+ audience, there were just 30 seats sparsely strewn in front of us. Better than nothing. Someone mentioned the sound was different but I didn't particularly notice, being too busy trying to play the parts. Because that's another thing: the parts were not too challenging, but my practice hasn't been so established for several months. Covid has done strange things to our mental states. And another thing, I couldn't play the Sunday concert. I have to confirm 14-days staying in the ACT in a bit less than 2 weeks and the Sunday concert was close, but in NSW. Strange, really, given that ACT is so small, and so many NSW residents come to Canberra for work or pleasure anyway. But they have to set some rules and this is a little oddity. So I thought we were just a little rusty but the music was surprisingly satisfying - Grieg, Vivaldi, Whitacre, Boccherini and Piazzolla Libertango. The soloist was Canberra-trained guitarist Andrew Blanch and the conductor was local music educator and bassist Lizzie Collier. Both were impressive. I expected it would be too much guitar, too Spanish, but I came to enjoy the performance immensely: the passionate, driving rhythms and growling bass parts. Lizzy advised that tango should be played virtually 100% with down-bows on bass and cello. Interesting and strange but it gave a drive and growl that I loved. The Grieg was lovely folk song as Nordic melody; the Whitacre was colours of autumn interpreted with all manner of time signatures (3/4,5/4,4/4,6/4) and harmonic colour. The Vivaldi and Boccherini were with guitar, one a guitar concerto and the other including a fandango. Libertango is just a fabulous, hugely covered passionate tango (from Grace Jones on). So, I'm sorry I'm not playing the Sunday concert (it's being played as I write this) because the rehash is always more comfortable and committed, but I enjoyed that which I could and I remain Covid-correct. Thanks to all and hope it's going well right now.
Musica da Camera string orchestra performed Vivaldi, Whitacre, Boccherini and Piazzolla under Lizzy Collier (director) with soloist Andrew Blanch (guitar).