I think I don't look forward to seeing a series of students from a studio, but I should. I do enjoy watching the range of skills, the clear development with time and age, the obviously growing awareness and maturity of the emotional responses in performance. And this is as it should be, of course. We get better, we understand more through life, we experience the new, until maybe we no longer do. This is also part of life. It surprises me that we can watch these developments over such a short time, through a series of performers, of varied but ordered ages, over just an hour or so. I think they were all schoolies: short and young at one end; teens at the other. It goes to show how emotionally mature can be a teenager. So, is this a duty, to record the several studio concerts? I have thought so, but now I think differently. Rather, this is an education and an opportunity encouraging optimism. In a dark time it's a thing of beauty and hope. Nine players, playing all manner of musics through to Rachmaninov and Haydn and Katz Chernin and Handel and Chopin and Rameau and more. This studio was Marie Cull's and it was a pleasure.
Students of the school of Marie Cull performed at Wesley.