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NYC was just MOMA and the Met, although there was so much more. MOMA (Museum of Modern Art) was stunning, of course, with famed pieces around each corner, sculptures that seem to recur (how often have I seen one or more burghers of Calais?) and a fascinating temporary exhibit on interfaces and design. The Met (Metropolitan Museum of Art) was just a day lost in bliss. Incredible collections that were as much archeological as artistic. It means nothing to say I was stunned by the Egyptian, Roman, Greek and Mediaeval collections. The American collections, the Art Deco, the Middle East were less known to me but wonderful. A feature are the many rooms that have been purchased and rebuilt here: two from Pompeii, from Florence and Gubbio, Frank Lloyd Wright, many others, and a whole Egyptian temple that was saved from the Aswan Dam and gifted to the US. We spent ~8 hours and just touched the surface of this superbly presented and incredibly rich collection.
We were lucky to catch a string quartet playing at a cafe in the Met. It was led by Beryl Diamond Chacon (violin) with Nelson Palgett (piano), Regis Iandiorio (violin) and Makisol Espada (cello). We heard the first set of waltzes and pleasantries, although there were some less common pieces there: J Strauss but also Friml and DeLibes. Beryl was offering more substantial music later but the collections called. These were capable players. Beryl spoke lightly of studying at Julliard years before, and her offsiders were no slouches. Lovely music in a stunning environment.
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This is CJBlog post no. 700.
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