
The band was Pensive Phish. Not a serious sounding name and a good deal of good natured presence but the playing itself was serious. PP was James Luke, Miro Bukovsky, Mark Sutton and one-time student in electronic music at the School of Music, Mark Webber. Mark performs on laptop, so there's processing and contemporary approaches here. Then Lachlan Coventry also along for the ride, playing both Fender VI bass and Fender tele guitar. All that with the minimalist change of Miles of the jazz rock era. Determined and central drums from Mark S and firm and steady bass from Lachlan or James formed the intense rhythms. James might solo, all effects and processing, up the neck, against a riff from Lachlan. There was one riff that passed from Bass VI to James' fatter JB and that was a revelation in variation of tone. I liked Lachlan's firm resolve in bass; James was more playful, so different, but both held strong grooves. Mark S was there, always, solid, inventive when called for, but a rock in laying the foundation. The rhythm section is often all-important; perhaps even more so here. These were great grooves.

Pensive Phish was James Luke (bass), Miroslav Bukovsky (trumpet), Mark Sutton (drums), Mark Webber (laptop) and Lachlan Coventry (bass, guitar).
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