It's amusing that this was the second gig with Chris Latham as MD where we sat in darkness. The darkness was for the projected images of modern art that we were accompanying. OK as long as your batteries on your music stand lights were fresh! (They were). Batteries for tuners, too, because the basses had to tune down E>Eb for the final tune. Otherwise, this was reverent, as Chris' concert are. We were located at the Chapel at the ACCC (Australian Centre for Christianity and Culture) near the huge cross on the lake. The space is cement and thus has its own acoustic. The music was a string of short pieces, from Bach and Rach through a string of lesser-known Europeans and others, Weinberg, Klein, Weiner and Kattenberg as well Simon, Walton, Koicki and Dreyfus and a segment of lovely FS Kelly songs. I so love the gentle and touching music of FS Kelly, deceased young in WW1. Chris had gathered and often arranged the tunes. Our singer was Christina Wilson with her soprano of power and obvious invention that showed when she sang a complex but wordless segment. Fumiyo Yamamoto also featured on one violin solo. Let it not be thought that short and predominantly slow means easy. There's difficulty in delicate bowing and in unexpected counts. It's nothing like fast incessant Beethoven parts with their own difficulties. So another successful and purposeful performance with Chris Latham. Thanks again Chris.
Chris Latham (conductor, musical director, arranger. violin) led Musica da Camera in a string of tunes at the Chapel at ACCC. Christina Wilson (soprano) sang and Fumiyo Yamamoto (violin) and Margaret Kahn (cello) soloed.
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