It should be heard in an all-night vigil while standing. We were luckier than that. This was Rachmaninov All-night vigil, loosely called Vespers from the main part of the work. Actually Vespers makes up movements 1-6 of 15 with Matins 7-11, Lauds 12 and Prime 13-15 and this whole would be heard in the traditional Orthodox service from sunset finishing in the morning of the next day. Oriana Chorale learnt and sang the Russian text a capella in the ANZAC Memorial Chapel at Duntroon, no less, under Dan Walker with soloists Maartje Seventer, Andrei Laptev and Andrew Fysh. It was a different thing. I had just heard complex modern harmonies with Kompactus. This was much denser and darker, partly from the larger choir, but I guess also from many parts. It's also SATB but each section can be split into 2 or 3 parts through the work. It's heavier, more serious perhaps, certainly more religious. Sometimes an introductory solo to start a movement (what is this called?) or a quiet vocal tone after a tuning fork to a skull. After hearing this and Kompactus in one week, I remain in awe of our local choral scene.
Oriana Chorale performed Rachmaninov All-night vigil at the Anzac Memorial Chapel at Duntroon under Dan Walker (musical director) with soloists Maartje Sevenster (alto), Andrei Laptev (tenor) and Andrew Fysh (bass).
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