Jazz is returning to Lanyon Homestead for a summer season: Friday evenings, 3 Feb - 10 Mar, 5.30-8.30pm. Gold coin donation. The series features several bands out of the CSM, starting on 3 Feb with Eric Ajaye's excellent trio called Straight Up! See my review of an earlier concert at Lanyon below.
Friday 3 February
STRAIGHT UP! Eric Ajaye, lecturer in Jazz Studies at the Canberra School of Music, joins with drummer Chris Thwaites and pianist Michael Azzopardi to play modern jazz originals.
Friday 10 February 5.30pm-8.30pm
FIRE ON THE HILL. Jazz guitarist Lachlan Coventry, joins with bass, drums and slide to play his original material.
Friday 17 February, 5.30pm-8.30pm
MALONE. Singer/songwriter Gareth Malone plays original soul, R & B and contemporary jazz material with Charlie Meadows and Nick Hoorweg.
Friday 24 February, 5.30pm-8.30pm
SWING GUITAR. Three prominent guitarists and double bass players come together to perform the swinging Gypsy Jazz of Django Reinhardt and the ‘The Quintet du Hot Club de France’.
http://www.museumsandgalleries.act.gov.au/lanyon/index.asp
24 January 2006
Music under the Elm @ Lanyon
22 January 2006
Trinity Jazz
Thanks to Pete Lawley for this pic from the Trinity Bar Tuesday evening sessions. Found on Flickr.
Labels:
Charlie Meadows,
Chris Thwaite,
Coverts,
James Luke,
Trinity Bar
17 January 2006
Zip
Jazz in Hanoi & Hong Kong
This is not strictly Canberra Jazz, but I have a few (poor) pics, so I’ll include them here. I visited Vietnam and Hong Kong for a short trip last year (Sept-Oct 2005). There’s a lot of interest amongst Australian jazz musicians about performing in Asia, and I’ve heard about several Australians travelling there to perform, or who are based there. I saw a wonderful concert a few years ago with Blaine Whittaker. He’s a supremely competent Australian alto bop player who, at least at the time, was resident in HK. He came over with the HK-based, US-originated, pianist Allen Youngblood and performed a little big-band set with the cream of Sydney players (Dale Barlow et al) for SIMA at the Side-On Cafe.
On my trip, I got to visit 2 jazz clubs. The first was [Quyen Van] Minh’s Jazz Bar, centrally located in Can Luong van Can in Hanoi (see “Jazz Club” on this map). Apparently, Minh is a sax player and teacher in Hanoi. I didn’t even know who I was seeing that night, but I presume Minh was the tenor player and leader. He was accompanied by electric bass, electric piano, sometimes trumpet or alto, and several drummers, who once changed over while performing one tune. The music was mainstream and standards. The playing was competent, entertaining and sometimes frantic, rather than particularly inventive. It’s a big club, with a prominent neon sign out front, so you can’t miss it. Free entry; beer on tap.
The second visit was to Hong Kong’s Fringe Club for jazz. The Fringe Club is interestingly located next to the famous HK Foreign Correspondents Club. It’s an intimate venue. Originally the Richard Malmstein (Swedish bassist; now local) quartet was to play, but RM was not available. He was replaced by a local bassist who is obviously a local hero: Tsang Tak Hong. TTH played fusion on a 5 string (Schecter?) bass. He was a wonderful player, easily of international standard. Strong on setting and maintaining the groove; lots of fast solos flayed across the fingerboard. He didn’t venture from fusion, but he did that fabulously well. The other players were Miles Li (alto sax from US, originally from Korea), Per-Axel Johnson (guitar, friend of Rich Malmstein, and visiting HK) and Robin Harris (Drums, US). P-A J was a much sweeter player, and obviously out of place in this fusion outfit. I spoke to P-A J and, interestingly, at one stage, he volunteered that Australia produces very good jazz players. Australia obvious has a reputation. Cover charge; grog available.
There were other jazz events around HK, but I only got to this one. But in parting, here’s a pic from Tom Lee’s Music Store just off Nathan Street in Kowloon. It’s big store, and relaxed. Lots of basses to pick up and try out, and no-one hanging over your shoulder. They also seem to have plenty of visiting master classes. Nathan East was to give a class just a few days after I left.
Labels:
Fringe Club of Jazz,
Hanoi,
Hong Kong,
Miles Li,
Minh's Jazz Club,
Per-Axel Johnson,
Robin Harris,
Tom Lee’s Music Store,
Tsang Tak Hong,
Vietnam
19 December 2005
Jazz in Melbourne
This is not strictly Canberra jazz, I got down to Melbourne in the last few days, and saw a few concerts. One was an experimental event at the Melbourne Women's International Jazz Festival.
Brigid Burke (clarinet & bass clarinet) played first with Gary Costello (double bass). They played free music to accompany videos projected on the wall behind them. This was challenging music, but played by very capable players, and beautiful in its own way. To me, it sounded more modern classical than jazz. I think this is my response to the rhythmic structure, but I need to think more on that.
The Dur-e Dara Ensemble followed with more challenging free music. Dur-e Dara (percussion), David Tolley (lovely 6-string double bass) and Ren Walters (guitar). David set up each of the tunes by creating a bass loop, to which the band played for an extended time. Again challenging.
I also saw Way Out West at the Famous Spiegeltent by the Melbourne Arts Centre. It's a romantic, old, wood-encrusted, circular tent structure. I'm told there are about 6 of these in the world, and they were orignally constructed about 100 years ago in Austria. I could confirm that, I'm sure, but I don't really need to know more. Obviously it's a much loved venue, especially lending itself to cabaret and burlesque. But jazz gets a look in, too. Way out West are an interesting mix of reasonably light groove/western jazz with Vietnamese instruments and influences. It's all original music with lots of Melbourne references (except ending with Ellington's Caravan). Drums, percussion, bass, sax, trumpet, guitar/Vietnamese instruments. It reminded me of the world jazz of the catholics. I wasn't totally convinced, but I was eventually won over by the lovely Vietnamese tonalities (I was taken with them on a recent visit to Vietnam) and the tribal rhythms of Caravan (is it possible to resist that tune?)
I also saw Way Out West at the Famous Spiegeltent by the Melbourne Arts Centre. It's a romantic, old, wood-encrusted, circular tent structure. I'm told there are about 6 of these in the world, and they were orignally constructed about 100 years ago in Austria. I could confirm that, I'm sure, but I don't really need to know more. Obviously it's a much loved venue, especially lending itself to cabaret and burlesque. But jazz gets a look in, too. Way out West are an interesting mix of reasonably light groove/western jazz with Vietnamese instruments and influences. It's all original music with lots of Melbourne references (except ending with Ellington's Caravan). Drums, percussion, bass, sax, trumpet, guitar/Vietnamese instruments. It reminded me of the world jazz of the catholics. I wasn't totally convinced, but I was eventually won over by the lovely Vietnamese tonalities (I was taken with them on a recent visit to Vietnam) and the tribal rhythms of Caravan (is it possible to resist that tune?)
Labels:
Brigid Burke,
David Tolley,
Dur-e Dara,
Gary Costello,
Melbourne Women's Int'l JF 2005,
Ren Walters,
Way out West
26 November 2005
Jazz Fake Books Index
Here's a gift for the musos amongst us: an index of tunes from several well known jazz fake books. The books are -
http://canberrajazz.net
- Real Books 1,2,3
- New Real Books 1,2,3
- Colorado cookbook
- Bill Evans fake book
- Jazz fakebook
- Jazz LTD
- Library of musician's jazz
- The book [Commercial]
http://canberrajazz.net
ArtSound FM Open Day
ArtSound FM 92.7 is Canberra's local arts station, playing lots of good music, passing on info on local arts events, etc. ArtSound is moving its premises in the very near future. The new premises are located next to the entrace to Manuka Pool, and are shared with PhotoAccess, another renowned Canberra arts institution.
The Open Day will be held 11am-4pm, Saturday, 3 December. Apparently there will be performing artists, tours of the new facilities, etc. ArtSound are asking for people to ring so they can cater. Sounds a great opportunity to support this excellent local resource.
http://www.artsoundfm.asn.au/
The Open Day will be held 11am-4pm, Saturday, 3 December. Apparently there will be performing artists, tours of the new facilities, etc. ArtSound are asking for people to ring so they can cater. Sounds a great opportunity to support this excellent local resource.
http://www.artsoundfm.asn.au/
23 November 2005
Canberra Jazz at Yahoo!Groups
I've started up a group at YahooGroups. Everyone interested in Jazz in Canberra is invited to join. So what does a YahooGroup do? It's a mailing list system with archive (you email to the group address, and it bounces to all members). But as well as that, you can chat, share documents and pics and more. I plan to set up a database of local jazz musicians, and possibly use the calendar facility for musos to advertise jazz gigs around Canberra. Thanks to YahooGroups for this excellent free service.
You have to be a member of YahooGroups to join. It's easy and free. Start by sending an subscription email to -
canberrajazz-subscribe AT yahoogroups DOT com
Canberra Jazz @ YahooGroups
You have to be a member of YahooGroups to join. It's easy and free. Start by sending an subscription email to -
canberrajazz-subscribe AT yahoogroups DOT com
Canberra Jazz @ YahooGroups
13 November 2005
Project bis at Cafe Gaudi
Labels:
Eric Pozza,
Mike Mamontov,
Project bis,
Scott Young
The Coverts
Labels:
Charlie Meadows,
Chris Thwaite,
Coverts,
James Luke
11 November 2005
Lachlan Coventry Band
Barney McAll's Modas
Barney McAll was one of the two out-of-town stars at the CJF. BMcA is past winner of the Wangaratta Piano performance prize, long-time sideman for Vince Jones, and now resident in New York. He's touring Australia with a local band, performing music from his recent CD. The CD was influenced by Barney's several visits to Cuba, and especially by music he heard there at a ceremony dedicated to the Yoruba goddess Yemaya. He recorded the rhythm tracks in Cuba, then added further tracks in NY. The Australian band was very capable, providing an intense latin experience unlike anything I have heard before. The band is made up of: Barney McAll piano, Jamie Oehlers tenor sax, Shannon Barnett trombone, Nashua Lee guitar, Phillip Rex bass, Craig Simon drums and Javier Fredes percussion. Loud, involving and complex. Good readers only should apply!
Labels:
Barney McAll,
Craig Simon,
Jamie Oehlers,
Javier Fredes,
Modas,
Nashua Lee,
Philip Rex,
Shannon Barnett
Wayne Kelly Trio
Addendum. I saw them a second time today. My guess is the richness comes from lots of complex extended chords on piano make for the modern sound. But plenty of post-bop lines still in the solos and heads. Great stuff.
26 October 2005
Canberra Jazz Festival soon
The website for the CJF now has details - programs, players, etc. Mostly, if not all, are staff, students, or ex-students from the Canberra School of Music Jazz School. No problems with that - they are excellent. The dates for the event are strange (Wed to Sat), but again, they are students. So, check out the program and venues on the CJF website, and good luck to them. I'm looking forward to it, and I hope they continue in future years.
http://canberrajazzfestival.com/
17 October 2005
Victorian Jazz Festivals
Wangaratta Jazz Festival is coming up next week
http://www.wangaratta-jazz.org.au/
Also, see a list of other Victorian jazz festivals at http://www.whitehat.com.au/Melbourne/Music/Jazz.asp
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