As Famous as the Moon

I caught As Famous as the Moon at Hippos last night. AFATM is led by Dirk Zeylmans on tenor sax. It’s a smooth and very competent mainstream jazz band, playing latin, swing and some bebop. Dirk has a sweet sound. He reminded me of the Stan Getz style: in tonality (sometimes) and in phrasing (often). The other players were Chris Thwaite (drums), James Keith (double bass), Paul Dal Broi (piano) and Graham Monger (guitar). Chris is a great player who frequently appears around Canberra with different players. In this group, he traded fours in most tunes. James was solid and swinging at all times, taking a few nice solos. Dirk commented how he loves his long ringing sound and how it’s easy to play to. Graham was similarly competent, providing long and swinging solos. Dirk told me he knows every song under the sun. I thought Paul offered the most challenging solos for the night. They developed well and explored dissonance in the process. I can’t help but love montuno (those repeated one- or two-bar piano figures in salsa) and the lift it gives to latin tunes, so he won me over when they appeared.

You can see Dirk and friends around town in many locations. They play Babar’s at Woden on Fridays at 6-8pm, and can even turn up to relax the bidders before some real estate auctions around town!

Bernie McGann visits

Bernie McGann played for The Gods Cafe's jazz series on 2 May. I missed it so no review (reviews for canberrajazz.net are welcome - just email to Eric). Thanks to Alison Hastie for the pic above. It shows Bernie McGann with Lloyd Swanton. Also playing were Warwick Alder, trumpet, and Alec Musso who replaced John Pochée on drums.

Pierre's Dream Team

Pierre's Dream Team played Thredbo over Easter. Now here's a handsome group! Pierre Kammacher (various saxes), Rod Andrew (drums), Eric Pozza (bass) and Daniel Hunter (guitar). It was cold at times, and fingers suffered from winds coming off the mountains, but the views of fresh snow on the hilltops was impressive, the days were sunny, and people were relaxed and enjoying themselves.

Carl Dewhurst @ Hippo

The Carl Dewhurst Trio played last night at Hippos. It was a fabulous display of musicianship. CDT are (or at least were on the night) Carl Dewhurst (guitar), Cameron Undy (bass) and Evan Mannell (drums). Carl and Cameron grew up in Canberra, apparently attending school together at Philip College, so it was a homecoming, and it seemed they were surrounded by friends and family.

CDT played three sets. The first two were original charts. The third comprised more obvious compositions (D blues and a C Blues with clear reference to Ellington’s C Jam Blues) but the Real Book charts made the performance no less creative. The soloing and interaction between players was exemplary throughout. Carl controlled things will complex heads and chordal accompaniments. He could be blisteringly fast, and use all manner of effects, but was mostly just used a hard electric guitar sound, reminding me at times of Mahavishnu Orchestra (others would find more recent references). Cameron Undy was both solid and interesting, hunched over his bass in concentration. He warmed to some fabulous solos, especially in the later sets. Evan Mannell was on left-handed drums. He accompanied and matched the others in trading fours and soloing.

I asked Cameron if they played together much, and his answer was indicative of the dearth of opportunities for players of modern instrumental jazz. They play perhaps 3 times a year, and he guesses he plays this style live only about 6 times a year, and occasionally in the studio. Otherwise, it’s the musician’s life of corporate gigs and weddings. He analysed the opportunities at Jazzgroove thus: 48 nights per year, with 2 bands per night, ie, 96 performances per year to be shared between ~40 bands. Improvisatory jazz is obviously not the basis of a career. And there’s SIMA.

Given infrequent performances, the level of inventiveness and togetherness is doubly astounding. Excellent art; excellent entertainment.

Julian Banks Trio @ The Gods

Julian Banks presented last night’s session at the Jazz at the Gods series at ANU. What an eye-opener! This was highly sophisticated and energetic modern jazz, varied in tonality, interesting in harmony and melody, rich in capable and inventive solos, and virtually all from original tunes. The trio is Julian Banks, tenor sax, Damien Slingsby, piano, Sam Young, drums.

Julian played with a lovely, rich tenor tone, moving freely into and out of solos, and sometimes playing time with repetitive phrases. He has looks reminiscent of Mingus, which was doubly odd given there was no bass on stage. Damien was highly accomplished on a Yamaha electric piano, often playing bass lines against solos, freely changing harmonic relationships and always soloing strongly. He performed with eyes closed and head rocking back and forth (impossible to get a decent pic!). Sam both closely followed and defined the rhythms. He played minimalistic but expressive solos, including pitch changes by pressing drum heads - common enough, but nicely done.

Their repertoire was all original other than 2 tunes (“Miles mode” by Coltrane was one), although they finally played another non-original as an encore (You don’t know what love is). Chris Deacon (from ArtSound FM) recorded the concert, and it will be played on ArtSound in a month or so, probably on the Jazzwaves program one Sunday night at 8pm.

Julian finished the concert by thanking the audience for being appreciative and knowledgeable, but my heart sank when he added that performing for such an audience is rare for a jazz player. As it is for many other serious and demanding (and non-commercial) areas of human endeavour these days. This is both another issue and a tragedy. For now, we just have to rejoice that we have such excellent music in our midst – and support and promote it as best we can.

Mike Nock Trio @ The Gods

The Mike Nock Trio appeared at the first of the Gods Jazz sessions at the ANU last night. The Trio is Mike Nock, piano, Brett Hirst, bass, and Toby Hall, drums. They all played excellently, with two highly inventive modern sets.

Mike Nock was his usual creative self, despite playing an electric piano with a key that was sticking. He led two sets of mixed standards and originals. Some were quirky, like his “Summertime … so what”. It started with Miles’ “So What” line, which then got Summertime superimposed over the top. Or the beautiful melody of “You don’t know what love is” as a strangely discordant e-piano sound over a free improvisation by bass-drums. But it wasn’t all like this. His “One for the children” (or similar title) was a simple and beautiful piece with a touching, African history, and his “Blue 4” was a great and complex modern blues piece. His improvising is fluid and inventive, and he introduces dissonance and rhythmic complexity at will – a master at work. As a fellow bassist, I loved Brett Hirst’s bass playing. He had a strong, woody tone which was always clear in both accompaniment and soloing. He was also very melodic, reminding me of Charlie Haden in style. Toby Hall was fluid; moving in and out of the music with constantly varying intensity and rhythm.

Another interesting thing was just how much fun they were obviously having. Mike Nock was constantly looking across with respect to his cohorts. Brett Hirst frequently had a smile on his face, occasionally replacing it with a look of intense concentration. Toby Hall was obviously enjoying himself, and occasionally shared quips with Mike Nock.

The Trio is returning, this time with grand piano, at the Southern Cross Club, 8.30pm Thurs 28 September, 2006, ph 6283 7267. This was an excellent start to the series, and was a masterful display of jazz at an international level.

Sandpit

Sandpit were playing today at Edgar's Inn, for the Sunday afternoon sessions. They are a quartet: sax (soprano & alto), guitar (strat), electric bass, drums. I didn't recognise the faces. They played a 70s style jazz rock, in the tradition of Herbie Hancock and Bitches Brew Miles. I particularly liked the gentle, relaxed bass with a soft slap and, I think, autowah or some similar pedal. Sadly, my camera died last weekend, so no pics.

A Neck & another @ CSM

Jazz Area Staff Concert - John Mackey, Eric. C Ajaye, Mike Price, Miroslav Bukovsky, Col Hoorweg and Matt Thompson perform standard and contemporary original material. Bandroom, Peter Karmel Building, ANU, 7.30pm Wed 8 Mar 2006, $12/$10/$2 ANU students

Right Brain Series - Chris Abrahams (the Necks) and Simon Phillips play an improvised soundtrack to black and white silent film footage. RR3, CSM, 7pm, Tues 21 Mar 2006, $12/$10/$8 Friends

Jazz at the Gods 2006

Here's the lineup for 2006. Prices are $12/$8, or a season ticket for $45. Light meals available before the show. Eating is 6.30pm for concert at 8pm. For bookings, phone 6248 5538. There's limited seating (80) so make remember to book.

Tues Mar 28 Mike Nock Trio — Mike Nock, electric piano; Brett Hirst, bass; Toby Hall, drums

Tues Apr 4 Julian Banks Trio — Julian Banks, tenor saxophone; Damien Slingsby, electric piano; Sam Young, drums

Tues May 2 Bernie McGann Quartet — Bernie McGann, alto saxophone; Warwick Alder, trumpet; Lloyd Swanton, bass; John Pochée, drums

Tues Jun 6 Valdis Thomann Trio — Valdis Thomann, trombone; Neils Rosendahl, tenor saxophone; Michael Azzopardi, electric piano

Tues Jul 18 Straight Up Trio — Michael Azzopardi, electric piano; Eric Ajaye, bass; Christopher Thwaite, drums

Tues Aug 1 Luke Sweeting Trio — Luke Sweeting, electric piano; Bill Willliams, bass; Ed Rodriguez, drums

Mike Nock @ Gods Cafe

Mike Nock plays Gods Cafe at ANU on Tues 28 Mar, apparently in a trio format. I'm unsure of time and other details. I believe this is the 2006 return of the Gods Cafe Jazz Series, which has been organised for several years by Geoff Page, our well known local poet and jazz lover. I've got more info coming, so return here for more datails. Geoff Page's website has a link to last year's Gods Jazz series (as I write this, it's showing last year's program).

http://www.geoffpage.info/

Wayne Kelly Trio

Probably my favourite trio around town - partly due to the playing, partly due to the style. WKT are Wayne Kelly (piano), Ben O'Loghlin (bass) and Mark Sutton (drums). WKT is playing 3-5pm alternate Sundays, at Edgar's Inn in the Ainslie Shops. Today they played some originals, but mostly standards. All in a modern interpretation, with excellent inventiveness and close interaction. Mark is master of the brushes. Wayne is endlessly inventive, and often joking on the keys. Ben is with them all the way, and taking lots of solos in this environment. An education in laid-back intensity. Catch this band!

Overhead Project

OP were playing at Hippos' last week. OP are currently Michael Coggins on guitar, Ben Braithwaite on drums, Munro Melano on keyboards, and bass (I didn't recognise the bass player, my apologies). Plenty of original tunes, in a modern, relaxed, and I thought TV-like vein. There should be some money for this in the studios. Solid bass lines, with inventive solos. Plenty of Rhodes sounds, and a very funky Hammond at one stage. I forgot the camera so no pics.

Edgar's Inn, Ainslie

Here's a new venue for CJ. Edgar's Inn is located in the Ainslie Shops. Jazz 3-5pm, every Sunday afternoon. Today (and alternate Sundays) is Wayne Kelly's Trio. I don't know who plays the alternate week. Also "funk/jazz" on Tuesday nights. Very pleasant sitting with a beer on a warm afternoon, and the jazz was excellent.

Rosendahl's Pardi with strings

Nils Rosendahl has just gone OS to Asia and a scholarship to study in the UK. He's a great loss to Canberra. Niels was a star student of saxes. Here's a pic of Rosendahl's Pardi with Strings from Moruya 2005. Niels Rosendahl, saxes; Anna Thompson, violin; Michael Azzopardi, piano; Ben Rogers, bass; Ben Braithwaite, drums. A worthy final concert for Sat night: lively and well played. I remember especially Corea's Spain, and Rosendahl's post-bop Penguins. Nice one, Niels.

catholics @ hippos 12 Feb 2006

It's not strictly Canberra Jazz, but it happened here. The catholics came to Canberra to perform for the Multicultural Festival, and also for a more intimate performance at Hippos.

I had seen them years ago, mid-90s or thereabouts. At one stage during the night, Lloyd Swanton said they’d been together for 14 years, so they were already well established. They all have other projects. They have just recorded their 5th CD (or 4th and a compilation?). Some players were still there from the concerts I saw 10 years ago – Lloyd Swanton (bass), Sandy Evans (tenor & soprano sax), James Greening (trombone, and a very little trumpet) and Fabian Hevia (percussion). The guitar, drums and slide players are changed.

I was most blown out by James Greening. Stunning, clear, articulated trombone solos – it’s rare that you hear postbop-style lines like this on a trom. And Sandy Evans was superb. She’s little, and the tenor practically reaches her knees, but her lines are big and complex. Plenty of lyrical playing, but with detours into sheets of notes at varying levels of dissonance. And together, Sandy and James create these hauntingly beautiful and precise harmonies which define several of their tunes.

The rhythms were fairly standard: reliable latin throughout by Hamish Stuart on drums and Lloyd Swanton. I hadn’t taken note, but my drummer friend observed there wasn’t a swing throughout the night. Jonathan Pease on guitar was lyrical (at times, with a bell-like strat tone to die for) as was the Bruce Reid on slide guitar. I’m not up on these instruments, but I think they were a lap steel and a resonator of some kind. Nice solos too on bass, and a lovely one by Fabian Hevia on percussion early in the night. (How can you not love the dissection of rhythm that is a percussion solo?)

The whole was put through a JBL rig with sub-bins and mid/high boxes. Rare for a jazz-related gig, but more balanced, compressed and powerful. I enjoyed it, but I did hear negative comments about it being overpowering. It was not rock-loud, but still pretty solid.

The overall effect was rich and accurate, with stunning competence in solos, and beautiful, lyrical melodies against the rhythmic complexity that you can only get with a large rhythm section.

The catholics are: Lloyd Swanton (bass), Sandy Evans (saxes), James Greening (trombone), Jonathan Pease (guitar), Bruce Reid (lap steel guitar, dobro), Hamish Stuart (drums), Fabian Hevia (percussion).

They are running an email list if you wish to find out more, but I coudn't find a URL. Good luck.

A great pic, but not the current catholics line-up