Practice less? I'm joking, of course. It doesn't work that way. But when we haven't played for a bit, for Covid or whatever, we play like the clappers. It was like this last night at Molly. Hot from the top on Stella. I noticed my hands were in shape despite all, strong, producing nice tone, arm not hand and fingers making the quick runs. The amp just seemed set right from the start. That's always a good sign. I'm listening back to a little recording and James and Dave are spot on, interactive, inquisitive. Good stuff. But I do tend to often claim best eva recently. Maybe we are playing well or maybe I have stars in my eyes. Either way, we got some good comment, met some nice audience, even from Musica Viva. But the excitement never ends. We had Richard sit in for a string of tunes in the second set and his sax sounds like gold (he's converted by a recent setup) and I snuck in a few funky numbers of my new toy, a Cort Curbow fretless e-bass. I like it, all punchy and fat, although it does lack some tone of the double. I was rough, not having played e-bass for perhaps 5 years, but was working out how to rest the palm and blurt over these little strings. Much fun, very au courant in looks and a surprisingly good instrument. So, much enjoyed.
Tilt Trio appeared as the James Woodman Trio at Molly. Tilt are James Woodman (piano), Eric Pozza (bass) and Dave McDade (drums). Richard Manderson (tenor) sat in.