




This was nice, popular, well-known, mainstream jazz. Solidly played, with plenty of fretless bass solos and occasional swapped fours on drums. Good, solid, satisfying swing, with simple and steady accompaniment. The piano solos were full and rich and commonly chordal. The bass solos were frequent and reminiscent of double bass (perhaps being fretless), although he mostly fingered with pinkie like an electric player. There were regular switches from ballad to swing, or latin to swing. In fact, swing was the key factor here. And a sultry voice, often held behind the beat, occasionally reminding me of our Vince Jones. This was comfy jazz, well received and perfectly presentable and sellable. This is a business so I certainly don’t say this to be demeaning.
Bill Parton played piano, and once switched to organ tones. Jeremy Martin played fretless five string bass, and Joel Prime played drums. Bill has been playing publicly for seven years, and Jeremy and Joel have been sitting in with Bill for the last two years. Jeremy and Joel are recent graduates of the jazz course at the Adelaide Conservatorium. The unit was tight and responsive and nicely presented and perfectly professional. Well done.



All this was happening while Adelaide’s most important annual athletics event, the Bay Sheffield, was being run on the adjacent green. I’ve included a pic of that, too. It’s quite a tradition, having been run for 122 years as a handicap race over 130 yards (now 120 metres), and a significant post-Christmas event in my old home town.
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