I was strolling to the National Gallery of Victoria. A few years ago I marvelled at some antiquities and was delighted by early mediaeval European works. This time it was C17-C18 European paintings and a little photography and decorative art, and some sadly disappointing contemporary art. Also interesting was a new room, only opened 10 days ago, with massed art in the style I’ve seen in the Pitti Gallery (Florence) and some other spots in Europe. I loved that: enthralling and overwhelming and obviously popular. This is a great gallery: the wealth of the Victorian gold rushes continues to provide for a wonderful collection. It reminds me of a stunning fact: at the time of the gold rushes, for two years Ballarat was the richest metropolitan area in the world. Ballarat a beautiful town with an oddly satisfying gallery, but who could conceive of that now? And thanks to the NGV's sensible approach to photography: it's OK but no flash.
05 January 2011
Melb qt-ly
I was strolling to the National Gallery of Victoria. A few years ago I marvelled at some antiquities and was delighted by early mediaeval European works. This time it was C17-C18 European paintings and a little photography and decorative art, and some sadly disappointing contemporary art. Also interesting was a new room, only opened 10 days ago, with massed art in the style I’ve seen in the Pitti Gallery (Florence) and some other spots in Europe. I loved that: enthralling and overwhelming and obviously popular. This is a great gallery: the wealth of the Victorian gold rushes continues to provide for a wonderful collection. It reminds me of a stunning fact: at the time of the gold rushes, for two years Ballarat was the richest metropolitan area in the world. Ballarat a beautiful town with an oddly satisfying gallery, but who could conceive of that now? And thanks to the NGV's sensible approach to photography: it's OK but no flash.
Labels:
buskers,
Desmond Potts,
Erdu,
Melbourne,
National Gallery of Victoria,
Sheao
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