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Nikolaus Römisch played cello and Kyoko Hosono played piano in Sergei Rachmaninov’s Sonata for cello and piano in G minor. This is a popular event! They counted entries by giving you a token on entry that you promptly dropped in a box. I’m told there were 1,500. I could believe it. They were sitting on steps, on the floor, arrayed over balconies, standing, even walking around discretely. Some were eve seated. It’s not the best environment for a classical work, but it was fairly well respected and we enjoyed it. Certainly the price was right. This is a work in 4 movements in G minor, variously modulating from 3 to 4 flats and ending with the last movement in one sharp, G major. The time signature also moved around over the movements. I got a triplet feel of 12/8 as the most prominent, but there were passages in 3/4, 4/4 ad 3/2 . Apparently Rachmaninov disliked it being called a cello sonata due to the equality of the two parts, and both Megan and I noticed the way melodies would pass between the instruments. I was noticing the rich capabilities of piano as it rippled and variously supported a cello line, but then cello also provided arpeggiated backings at other times.
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