
My first concert for the night was John Mackey playing with Matt McMahon, Jonathan Zwartz and Simon Barker celebrating the 50th anniversary of Coltrane's death. Just stunning. It was Geoff Page's concert series, now in the ANU Popup village, with space, a larger stage, a piano (upright), PA and peopled with an audience of 150 or so. They were playing a blues as I entered. Stunningly expressive, exploratory. John's tone big and edgy and beautifully formed, breathy to end notes, varied to follow his phrasing, spread over all manner of consonance and dissonance, always purposeful, honest and hugely expressive. But they were all stunningly masterful. Matt on piano maintaining long, long eighth-note runs, moving through harmonies with ease with stunning chordal stabs and colourful leading chords behind solos and I guess those sounds were fourths voicings because they sounded so true to the original. I think it was the PA that highlighted the interplays: not so much transparent (I've only heard that in massive outdoor rigs) as identifying and projecting the musicians. Matt floored me. But so did Jonathan, and for that matter, Simon, although I'm still learning of his style. Jonathan's a bassist, so easy for me to appreciate.

John Mackey (tenor) played Coltrane with Matt McMahon (piano), Jonathan Zwartz (bass) and Simon Barker (drums) for Geoff Page at the ANU Popup.
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