This was SoundOut 2020, Saturday afternoon session. As always, there was a mix of performers local and Australian an foreign. We all expect the ringins from OS to be the exciting ones, and they often are, of course, being the stars invited and presumably supported by their embassies. I was particuarly looking forward to Achim, Frank and Wilbert who had massively impressed me with a short informal perfomance in the workshop, but that was for the evening. I arrived to hear a trio of sax, sax and vocals/electornics from Rhys, Richard and Tony Osborne. Nice, flowing, nuanced with tones and noises. Then Peter Hollo, cellist with electronics. I checked out his web page: he records postfolkrocktronica as Raven, has played classical with AYO and more and pop with Deborah Conway, the Whitlams and more, os he has chops. It showed in his playing with an awareness of melody and traditional techniques, nicely embellished with electronics and loops and the like. I heard yearning, distance, lovely acoustic cello tone, and later some tongue taps and what seemed quite like a constructed compostion. Nice. Then on to a feature trio, Dylan Van der Schyff, Elisabeth Harnick and our own local, Jess Green. A power trio: high energy from the opening; exciting and varied; quick insectoid flourishes form Jess; all manner of tones from dismantled kit and standard techniques from Dylan; scrapes and noises from within the piano into effusive keyboard with indeterminate harmony from Elisabeth. A huge pleasure.
Rhys Butler (alto), Richard Johnson (soprano) and Tony Osborne (vocals, electronics) played first. Peter Hollo (cello, electronics) played second. Dylan Van der Schyff (drums), Elisabeth Harnick (piano) and Jess Green (guitar) played third. SoundOut 2020 Saturday afternoon at the Drill Hall Gallery.
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