I just caught a snippet of the long set, but it was intriguing. This was a SoundOut gig located in the middle of Civic in an ex-hair salon (sounds the part!). Bright lights and colour outside through the glass; colour projections inside from a series of film projectors of 8mm variety. Authentic analogue, Interestingly complete with authentic analogue film loops. Two projectors mostly, sometimes superimposed, otherwise side-by-side. Seven musicians responding to this, in lines seated at the opposite walls. The whole was noise, repetition, squeaks and sparks, drone noises and the like. Two guitarists, trumpet, three winds of various persuasions. There was an intriguing home-built synth, too, with pitch and modulations controlled by hand movements and a chip to respond to it all; small and mounted on a rough timber stand. Unique. This is the nature of SoundOut, that experimentation and noise that makes music with closed eyes for inquisitive audiences. Sadly, not too many of them.
SoundOut presented Louise Canham (experimental film projection) with the Noise Floor Ensemble comprising George Kay, Jamie Lambert (guitars), Rhys Butler (alto), Richard Johnson (wind instruments), Rory Villegas (trumpet), Tom Fell (saxes) and Brian McNamarra (invented electronic instruments) at Antics Hair in Civic.