22 January 2025

Bohemia

Bastien and Julien were over from France for just days, playing in the Sydney Festival, at the ACO pier and the Whiteley garden.  Then Smiths in Canberra, staying with some mates Celeste and Bill and then Melbourne, perhaps other gigs.  They are a woodwind duo, mostly soprano sax and bass clarinet but also alto sax and other clarinets.  They may be spoken of as contemporary jazz, and certainly there is rhythm and groove in the bass clarinet and other instruments and genuinely satisfying bop-styled sax solos but this sounded bigger and more adventurous than just jazz.  Nitya spoke of Balkan influences and Celltic and Berber are also claimed.  But there's didg there too, in a droning tonguing, I guess, and a clicky tonguing may be the source of the beatbox references.  So this seemed something other than contemporary jazz to my ears, although somewhat informed by it.  Whatever, it's thrilling and fascinating and new to many/my ears.  There's harmonic/chordal movement, but not lots, mostly rocky I-IVs or similar, and e-bass-like grooves from the bass clarinet, so there's rock too.  I guess what I mean is that this sounds different, unlike many different acts, but with obvious underlying training and skills to a high degree. So that's what I like.  Invention is good, but it needs skills to thrill and this did.  The band is NoSax NoClar and perhaps they are saying just that, that this is not normal if well formulated.  So I may not call it contemporary jazz but I do admire it for chops and inventiveness and a very alternative view of sound meanwhile borrowing from all manner of other musics.  Great stuff and a huge pleasure to hear them close up, at Smiths, upstairs, in the new McGregor Hall.

NoSax NoClar comprise Bastien Weeger (sax, clarinet) and Julien Stella (clarinet, bass clarinet, beatbox).  NSNC performed upstairs at Smiths.

PS.  We finished the night off with a visit to Red Hill to search for Comet C/2024 G3 (ATLAS).  It's low in the western sky after sunset and rapidly fading.  With a chatty group on the hill, we saw it.  It was visible to young eyes and not much better in mounted 10x50 binoculars but it was photographable by mobiles and my Sony and much more visible that way.  A surprise!  Here's a pic from my Sony RC100 III but the best I saw was from a Canon SLR with a 135mm f2 lens.

  • Thanks to Carol Wapshere from the great front row photo
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