The mysterious title refers to the 72nd Intervarsity Choral Festival held in Canberra over the last week or so. Shilong put out a call for orchestral players to play with the choristers for the final concert in mid-January to end the 2 week festival. Given the main work was Brahms German Requiem, I was a ring-in. It was all brought together over those 2 weeks with the final concert of ~150 in Llewellyn on Saturday, no doubt preceding a celebratory pub party thereafter. Thus is the way of intervarsity events, at least from what I remember. It was a long program. The main work was the German requiem under Olivia with Andrew Fysh and Evangeline Osborne soloing; delicate and desperate and driving over 7 movements totalling ~1 hour. What a thrill to revisit this work in the luxurious surroundings of Llewellyn Hall. Then a second half with Phantom of the opera, Slavonic dances, Sabre dance and Brahms again with his playful but still challenging Academic Festival Overture, all under Shilong, and a final work, Everything sings, with the choir and Anthony Smith accompanying. The first week was only 2 calls for strings while the second was busy with 1 for orchestra, 3 for orch & choir and the final concert. But the thrill of Brahms stays and this was memorable and concentrated and interestingly with an orchestra thrown together from several local ensembles. And to top it off, we were recorded by an engineer with 40 professional releases to his name. Looking forward to hearing that. A worthy performance of several great works.
Vita et Mors was the final concert of the Canberra Intervarsity Choral Festival 2026 (CIV26). Shilong Ye and Olivia Swift (conductors) various led the choir and festival orchestra through Brahms x2, Lloyd Webber, Dvorak, Khachaturian and a final song by TC Takach accompanied by Anthony Smith (piano). Soloists for the Brahms German Requiem were Andrew Fysh and Evangeline Osborne (vocals).

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